Releases

NRG fans should probably mark October 23rd in their diaries, as that’s when BRK’s first full-length album will finally be touching down. Thanks to the man himself I’ve got hold of it a little early – it’s a really quality collection of tracks that definitely confirms the progress he’s made over the past year.

The album starts off with the title track Genesis, an utterly fantastic 3 minutes of dark atmosphere. It might be odd to choose an intro as my favourite track, but it’s a brilliant piece of work and a very worthy start to the album. The meat of the tracklist is of course Lab 4-influenced NRG, given some really nice extra touches with the collabs later on. Standouts for me might be the FINRG-released Rome Will Burn Down, the pounding intro to Pitch Black and the lovely filters of Saint Evil, but there’s also some welcome variety with the piano sequence in Something I Can’t Do and the vocals of Love’s a Bitch.

Great to see Heathen involved in trademark style on Everything Dies, before the album closes with a couple of minutes of downtempo, melancholy piano. Minimal but atmospheric, it’s a nice way to end things and actually clocks around 80bpm, raising the possibility of some interesting mixes in an NRG set.

This is essential stuff for any NRG fan, then, and a big achievement by BRK after all his hard work. Be sure to support a real trooper of our scene by checking this out in a couple of weeks time.

I’m battling to keep TYFTH updated through another busy spell, but bear with me – I’m actually hard at work on stuff behind the scenes and there’ll be a couple of longer posts tomorrow. Regardless, the track-making return of Alabaster is massive news by itself, and Failytale doesn’t disappoint with some really interesting melodies and a quality breakdown. This version is sounding a lot more polished than the tune he played at CODEX, an excellent follow-up to Fluorite .

The upcoming Freeformatted Vol. 2 is definitely a release to keep an eye on, with this reworked version of a 2009 Qygen track one of the best inclusions. If you’re after high bpm melancholy then Supersonic Speed fits the bill, moving from piano melodies to full on energy as the tune progresses. Another quality track from one of 2013’s standout artists.

Marking 200 likes on his Facebook page, Alchemiist has released a new tune via FINRG that happens to be one of the best I’ve heard for a long while. As nasty as you’d expect, this one has a little more of the atmopshere of his darker NRG tracks than usual, which is definitely no bad thing. An absolute must-download, but be sure to also ‘like’ his fan page if you haven’t already.

Here’s a lovely new free release from between Qygen and Wyrm that ticks all the right boxes if you’re into psychedelic, dark freeform. One of those collabs that really does manage to sound like a melding of both artists’ sounds, Digital Torment is a must-download via the Smiling Corpse Facebook page (click the Free downloads! section).

The track also coincides with the big announcement of Qygen’s upcoming album, set to be a physical release.

Time for a confession here – this is the only time I’ve discovered a brilliant (released) tune of interest to TYFTH and decided to keep it away from the site for a while, saving it for use in a set/event. Now that CODEX has been and gone (more on that later), it’s about time to finally give a wider shout out to Thanatos’ wonderful remix of Rise, the main theme of Ghost in the Shell: Stand Alone Complex.

There’s quite a bit of ‘noisiness’ in the top end, but with so much sampling going on it’s easy to forgive, especially as Thanatos has done such a fine job with the track’s structure. I spent a very long time indeed thinking about the the connections into and out of this tune, and at least to my ears it fitted right into the atmosphere I was going for at CODEX (and indeed the connection will appear again in my next recorded set). The video up the top uses the radio edit of the track, but I’m sure you get the idea. Finally, massive thanks to Gaia for initially letting me know about the track, this has to be one of the best recommendations I’ve ever received.

edit: Big thanks to raqhow for reminding me of the link to buy the track – you can find it here.

Yet more releases from Le Dos-on, this time an upcoming EP on Relentless Digital. The track that caught my ear from the preview was Obsidian, but anyone into slightly lighter sounds will also find much to like in the other two. By all accounts there’s a lot of new Le Dos-on material set to appear on other labels too, I’m really looking forward to hearing which ones he picks for his Codex set next week.

Lithium Records’ new album release might not be prime TYFTH material at first glance, but in amongst the J-Core is Lost, yet another new track from the unstoppable Le Dos-on. This is one of those tunes (and there are a heck of a lot these days, for some reason) where the intro/first half has me thinking that it’s not something I can use in a set, before things change up at the break and head into much more promising territory. Anyway, Lost‘s breakdown features Le Dos-on’s unique combo of UK, Finnish and Japanese styles, with just enough melancholy before the kick returns with some lovely filtering. A quality track then, and the whole album is available for free from the Lithium website.

2013’s Assembly has been and gone, and once again Alek Szahala has placed highly with his entries. His solo effort is the eccentrically titled Bom Shiva Shankar Zai Zilumi Zapati, a fabulous snippet of goa-meets-NRG that deservedly got some recognition.

The other track is a collab with Byproduct – I love this one, it does a brilliant job of combining their sounds into something a little different, and the breakdown is pretty special.

Speaking of Byproduct, let me also quickly mention his title track for the recently released MUKS, an indie exploration shooter with echoes of the classic Lunar/Solar Jetman games. Byproduct did a lot of excellent work on the soundtrack, and fans of his trademark melodies will very likely enjoy this one.