Thinking about Guld’s Dark Dimension set again the other day (which started with his Candyman remix), I realised I never mentioned Lab4’s own update from earlier this year. I much prefer the rough, ferocious style of Guld’s version but this is still a good rework with some nice changes to the structure. Incidentally, it’s well worth a dig through Hard Trance Europe’s back catalogue, as along with this and Cyrez’s Resurrection remix there are a few other Lab4 remixes and rereleases of some older tracks.
Quite literally one from the archives here – thanks to Shihen I was reminded of this classic Beezee and Alderz set from 11 years ago and realised that some newer Horsers might never have heard it before. Unsurprisingly I was all over it at the time but the set is no longer on soundcloud. Thankfully Beezee has kept it archived (along with some other quality mixes) on hearthis – I can’t see a way to embed stuff from there, mind, so head this way to check out the set instead.
My thoughts at the time still stand, but listening in 2023 it really feels like an ‘end of an era’ kind of set, when the original Finnish/Japanese atmospheres were getting harder and harder to find. Much later than this and sets would often lose it completely, but Beezee and Alderz have hit the sweet spot here of newer (for the time) tracks that still have enough of the older spirit to sit alongside the anthems.
Big thanks again to Shihen for the reminder, and to Alderz for help in tracking the set down.
Father Time gave me another slap in the face recently when I realised Melancholia’s last soundcloud set was eight(!) years ago. Almost as surprising is that nobody else has since come close to his hyperactive, genre-mashing brand of freeform/hardcore mixing, so it’s a genuine treat to hear him back at it. There’s no real point of comparison, but those who enjoy Shimo’s current mixing style are at least headed in the right direction. In short, it’s best not to worry too much about the tracklist – tracks appear so briefly and/or mashed up with others that you’ll likely be readjusting to a new tune before you realise it.
Saying that, the opening ticks all the TYFTH boxes with a very strong Betwixt/Guld start. It’s fitting that Aryx and Alek Szahala’s Byrgius is the centrepiece for one of the smoothest segments of the set (just listen to that inspired mix into Stargazer), but another of Melancholia’s strengths is knowing when to get through a transition without mixing in key when the flow of the set needs it. He balances the two approaches almost perfectly, meaning you never know quite what to expect from one section to another. This set also keeps up the tradition of throwing plenty of extra samples into the mix – some of the UK freeform-esque monologues in the longer breakdowns are very similar to past sets and do a fine job of giving the set even more of a distinctive identity, but you might be caught off guard by the extremely wholesome appearances here and there of Melancholia himself.
There’s plenty more that could be said, but I’m sure you get the idea. Whether you’re more of a listener or DJ, this is another inspired, superbly mixed celebration of hardcore by Melancholia, and comes as highly recommended as any set this year.
Would ‘PVC’ be the answer if most Horsers were challenged to name their favourite Eryk Orpheus track? It’s still mine – hardly a surprise as it’s the only UK freeform track I’ve ever played in a club – but Eryk’s psy-influenced modern style has plenty going for it, too. This inspired remix of This Place Is A Shelter comes pretty close to merging the two, and shows that his ear for a melancholy breakdown sample is as sharp as ever.
As often these days I find myself wishing that the post-breakdown lead had some more Finnish/Japanese ‘rawness’ to it, but it’d be silly to criticise a UK freeform track for sounding the way it was intended. I’d love to hear this one in a Transcend-style ‘intelligent UK freeform set’ someday – as much as I enjoy it I’m not sure it’ll fit into any of mine for a while.
As a bootleg remix it’s available for free on the Intelli-trance bandcamp.
Not much to add to the title really, but thanks to Guld for letting me know about this rather fine Photic Zone remix a couple of days ago. No sign of a release anywhere yet, though?
What’s this, another recent set to check out? Hedonistik Ritual is now settling into a schedule with his Hard Tranceformers podcast, a hugely impressive two-hour session of trance up to freeform. I’m biased this time, but even as someone who doesn’t care much for (non Goa) trance or hard trance these sets are excellent. Enough variety to keep anyone interested, and some quality track introductions and other info from Hedonistik while he plays.
This time it’s Cyhyraeth that made an appearance in a set – superbly mixed in after Powers Beyond(!) and followed by Drug Abuse, something I never would have imagined. Aside from being played at an in-person event I can’t imagine there are many better feelings than hearing another DJ do something creative with one of your tracks, so this was a real treat. Special thanks to Hedonistik for the kind words while introing the tune, and extra kudos for nailing the cyhyraeth pronunciation.
Early impressions are that these podcasts are (unsurprisingly) getting a wider listening audience than the usual freeform veterans, making them a fine entry into our reawakening scene for trance/hard trance fans.
Time for a belated look at another Asukarai Matsuri set, again a pretty fascinating look at how a talented newcomer to the scene approaches the NRG and freeform back catalogues. This is a great hour of freeform, and very recommended even if you’ve heard most of the tracks a million times before.
The track selection definitely reminds me of my own early days, with some of the all-time classic melodic tracks alongside more aggressive sections. Global Killer – Tuonela is a fine start, but it’s probably the next section where things step up a level. A darker atmosphere moves smoothly into Voices of Babylon, followed by a very impressive stretch of filtery melodic tracks. It obviously made my day to hear Hell’s Gate, especially as the transition into Morokai is one of the very best of the set. The finale is a classic dancefloor-friendly bpm increase, nicely done here with some Lost Soul and Nirotiy, before Hydra deepens things at the finish.
Overall another excellent set, and what it lacks in unified atmosphere from start to finish it makes up for in quality track selection. With literally a few hundred classic tracks yet to appear in his sets, I’m looking forward to AM’s next tribute to the golden age.
Belated shout out for a rare Asahi mix that’s worth checking out for lots of reasons. He’s got such good taste in NRG that it’s always nice to hear one of his sets, and while this one sounds a bit rusty in places there are some top class track combinations that I enjoyed a lot.
I somehow completely forgot about Mask Man, and here it shows what a strong track it is by combining excellently with Lush. I must admit that I zoned out a little once the UK freeform kicked in, but saying that Krater is a quality transition track that could come in handy for a lot of DJs.
The big showstopper for this set has to be the inclusion of an unreleased Booty promo, a superb track with an odd, experimental atmosphere. I wish I could hear more of these, as they make you realise how much influence might have had on the other Romancer artists. Close to zero chance of any of his material seeing a release, so we should all be extra grateful to Asahi for giving them an airing.
Back in the day I used to rely on Midas for my UK freeform, as he would usually find a nice balance between the UK style and FINRG that gave a taste of what was happening in both scenes. More recently Hedonistik Ritual is definitely the one to watch for that, though as a producer and FINRG member he’s going a few steps further, of course. I’m a bit late mentioning this one, but his Exposed Events set was a fine example.
The set starts off with some Lab 4/Substanced/Carbon Based, easing into things before the UK freeform comes in. It’s always interesting to hear a mix of the two like this (even if this set is definitely more on the UK side), especially with Hedonistik’s energetic mixing style that always keeps the interest up. As many will know, he used to be (still is?) an MC, so he’s a natural at hosting and introducing this sort of streamed event.
Watch out especially for Hedonistik’s tracks, Pelko’s Hellchoir and a nice use of Kokomochi’s Megaptera towards the end.
1.Lab4 – Reformation (Nick the Kid Remix) Intro
2.Lab 4 – Reformation (Carbon Based Remix)
3. Substanced – Geneva pt 3 (Carbon Based Remix)
4. DJ Scot Project – O (Mark Sherry’s Acidburst Remix)
5. Alex Mo – Over the Rainbow
6. Hedonistik Ritual – Invasion
7. Pelko – Hellchoir
8. Aeon – Apostasy
9. Angel 0A – Psychokiller
10. Kokomochi – Megaptera
11. Kevin Energy & Afterburner – Escape Velocity
12. Impact – Phat as Phuck (A.B & Hedonistik Ritual’s Keep it Freeform Remix)
13. Ephexis – Sick Seduction
If you’re dedicated enough of a Horser to still be visiting these realms this is already old news, but either way it’s about time to mention that my first official release, Cyhyraeth, is appearing on FINRG today. Although it probably sounds laughable to all those artists with dozens of releases to their names, for this long-time non-producing DJ a release on FINRG has to be up there in the top 3 career highlights. Not only that, mind – Cyhyraeth is release 001 of FINRG Legacy, the new home for freeform that continues the lineage of the original Finnish sound. One of the nicest responses I’ve had to the track was ‘It makes me feel the darkness of the 2000s,’ and that was exactly what I was going for. I’m not in a position to put together another In Praise of Shadows right now, so this track was an attempt to point back to those incredible early atmospheres, for all the freeform newcomers who didn’t experience them in the mid-2000s (or the veterans who have since forgotten them – which seems like a sizeable crowd too).
It won’t be much of a surprise to learn that I’ve been working on various incarnations of this track and others for years, especially given my approach to mix planning. It’s in the last year or two, though, that I decided to really take the production side more seriously. The rule was to finish at least one original track before working on any remixes, and so here we are.
I wonder how many other DJs can relate to this, but after years of playing most of the genre’s all-time greatest tracks, it’s been unbelievably intimidating to try something of my own. After plenty of wrestling with this, I finally came up with three requirements for anything new before it would go public:
- Would I play this track in a set of my own?
- Would it make me dance?
- Would it fit into a mid-2000s FINRG set?
Cyhyraeth is far from a perfect track of course, but eventually I got to a point of ‘Yes’ in answer to all of those. Happily it also felt that I was forming a bit more of a distinctive style while working through those questions, even if the ‘pale imitation of Alek’ aspect might always be there somewhere. Something I brought back from my mid-late 90s FastTracker days was to decide on the title first, as that always used to be super important in building an identity and atmosphere for the track (even in the odd breakbeat stuff I used to make back then). Cyhyraeth wouldn’t sound anything like this if I hadn’t kept that fairly disturbing Welsh myth in mind while putting it together.
There’s a lot of Goa influence too, which you’ll especially hear in the full version. It makes it harder to mix than some freeform tracks, but that was also intentional. Working a lot with Exemia’s tracks (or past Goa sets) reminded me of the obvious – mixing challenging tracks makes you a better DJ, no question.
Anyway, I’m very grateful for the positive/constructive feedback I’ve had on this track and I’ll be taking it all into the next one. Who knows when/if that’ll appear, but clearing this hurdle was a massive step that bodes pretty well. Final, massive thanks to Robin Petras for his wizardry on the mastering and solid gold feedback/advice throughout. After his incredible work on the compilation I was quick to get in touch with him this time, and somehow he outdid himself once again.