Events

Time for a belated look at another Asukarai Matsuri set, again a pretty fascinating look at how a talented newcomer to the scene approaches the NRG and freeform back catalogues. This is a great hour of freeform, and very recommended even if you’ve heard most of the tracks a million times before.

The track selection definitely reminds me of my own early days, with some of the all-time classic melodic tracks alongside more aggressive sections. Global Killer – Tuonela is a fine start, but it’s probably the next section where things step up a level. A darker atmosphere moves smoothly into Voices of Babylon, followed by a very impressive stretch of filtery melodic tracks. It obviously made my day to hear Hell’s Gate, especially as the transition into Morokai is one of the very best of the set. The finale is a classic dancefloor-friendly bpm increase, nicely done here with some Lost Soul and Nirotiy, before Hydra deepens things at the finish.

Overall another excellent set, and what it lacks in unified atmosphere from start to finish it makes up for in quality track selection. With literally a few hundred classic tracks yet to appear in his sets, I’m looking forward to AM’s next tribute to the golden age.

Last call for TYFTH Live 009, as it’s been visible in all the usual places since February. That includes Twitch, as it’s highlighted there and shouldn’t disappear anytime soon (if ever?). This was a a very fun set to put together, with many old and new tracks getting a play for the first time. I’m very happy with the atmosphere, even if (as usual) it was a lot of work to put together.

The biggest Horser-related news from the set was that we had two tracks on show – my Cyhyraeth and Sherkel’s superb Concealed. I’ve been trying to work out a way to use it in a set for quite a long time now as it has an extremely long, atmospheric breakdown. The opening three tracks of this set (repurposed from a CODEX appearance) are pretty hectic and absolutely set the tone, but are combined in a way that keeps the long breaks to a minimum. That was the perfect platform for Concealed, then, and I love the flow of that section.

Of the other transitions Perkele! – VPN is probably my favourite, as they’re two tracks I’ve wanted to play for years but are extremely challenging to use well. It was one of those lovely mixing moments when I realised there was potential to combine the two. Another high point was the Twisted Freq section (which needed some 3-deck action to get things working), as I combined the two in that way to reduce the massive breakdowns that you tend to get in Kreatrix tracks. PHASE 6 – Tigris also works really well, linking PHASE 6’s break with Tigris’ intro to deepen the atmosphere some more before the dark-but-melodic final part of the set. Oh and Mirage – Chimaera has never been in any of my online/event sets, but I used a less ambitious version in my first ever freeform mix back in 2006.

I was very happy to see how well the set was received live on Twitch – a massive thanks goes to Shimo for her raid, and to all the Fairy Forest crew who stayed around to listen. I’ve played to far fewer people at many club events, and it was a bit overwhelming to try to keep track of the action in the chat. Apologies to those I missed, and I’ll try to be on top of it next time. It actually crossed my mind to have a mic set up for interacting with everyone listening, but then I’d need to also record the set through Traktor to get the clean audio. I’m wary of adding more stress to my overloaded setup, but I’ll do some tests before deciding one way or the other.

Obviously I missed the March deadline for the next one, but more than ever these days I get the feeling that people expect a certain kind of set from me, and just throwing one together at the last minute wouldn’t really cut it. With all the newcomers to the scene and the ever-increasing distance between now and the release of those 2000s tracks, hopefully my ‘old and new’ style can still hit the sweet spot between introducing the classics to freeform rookies, while pushing the newer tracks and producers that are keeping that spirit alive. On that note, I’ve put in quite a bit of time to the next mix, with an intro just about decided and another section that has some lovely combinations. I’d say it’s pretty likely to appear this month, depending how well I manage the traditionally tricky middle part of the set.

Thanks to Shimotsukei I saw this Tano*C stream recording for the first time the other day, including a rare video of a whole Betwixt & Between set (starting here). No live PA this time though, instead he’s mixing mainstream hardcore. He would often say that he preferred PAs because he didn’t know how to DJ, but he had some mixing experience by this stage and it’s a good effort.

Truth be told it’s hard to watch this without getting a bit emotional, especially considering the timing. Hopefully there are a few other sets/event videos floating around that I’ve missed up until now.

All systems go for the second attempt at TYFTH Live 008, a year and a half later. I’ve been testing out all the necessaries this week, and a final secret test stream a few minutes ago (only a quick sound test) was the final check needed. The main event’ll be starting at 19:30 JST, with a few minutes for sound checking before that.

Tomorrow’s stream will be an Exemia-only freeform set, something I’ve been cryptically referencing on Mastodon for a while now. It’s been lots of fun but a big challenge to put this one together, with tricky transitions all over the place. It’ll be recorded and uploaded as and when (or rerecorded if there are any disasters), but  all are welcome to stop by the usual place for the live version!

Watch live video from plasmadancer on www.twitch.tv

If you’ve been following the updates on Mastodon you will have seen this already, but the plan this weekend was to stream a short set of more melodic tracks while I continue sorting out ideas for the next ‘real’ mix.

Predictably though, I’ve ended up putting some time into this melodic edition and need some extra time to think about things. It’ll still most likely be on the short side, and will have a mix of newer and much older stuff – I’m just not feeling some of the really melodic/trancy tracks around these days, so it’ll be a bit of a middle ground. Although I expect a weekday isn’t as convenient for a lot of people, this one will also find its way to YouTube, probably a day or two later.

There are also plans for at least a couple of other posts to appear here soon, as I get back to things after an extremely busy February.

Watch live video from plasmadancer on www.twitch.tv

This might be a busy weekend, but there’ll still be a TYFTH Live tomorrow as promised. Alas, it’s not the set I orginally had in mind, as I’m still hanging on for a couple of tracks to appear. Instead this’ll be that unreleased-only session I mentioned a while back, with me digging into the archives to play some bits and pieces that you might find interesting. What I’ve been aiming for in the limited practice time I’ve had this week is a set with plenty of surprises, while also sticking fairly close to the kind of style I like these days. Apologies in advance for any shonky transitions, it’ll definitely be more about the individual tracks this time around.

On that note, there are a few ‘secret’ tracks that might make an appearance, making this a good one to catch live if you can. The upload to YouTube won’t come with a tracklist, so feel free to play ‘guess that tune’ while we run through the set.

I’ll leave the video at the top of this post for now, but the TYFTH twitch channel is here, of course.

Just over a week ago I talked myself into making a trip to Shibuya at rush hour on a Saturday, but it was for a good cause – the first NRG-only event in Tokyo since the last CODEX. Shijou Saikou no NRG 3 (‘The Best NRG Ever 3’, it’s no less clunky a title in Japanese) was a gathering of some of the real pioneers of the Tokyo NRG scene for a little celebration of the sound. Little’s the word, as Dimension’s dimensions are about the same as a medium-sized Tokyo apartment, but even this club’s tiny speakers were a much better way to hear NRG than I’ve had for a long time.

Cochame gave the event some much needed younger (and female) representation, but sadly I wasn’t in time to catch her set. Those I did hear weren’t really up to the standard you might have expected, aside from GULD and Hashimoto. Hashimoto in particular has to win the award of ‘most instantly likeable’ harder DJ – he really looks like he’s still having the time of his life up in the booth and it was hard not to smile through the whole set. Fabulous track selection as well, which helped.

GULD’s set was the one I was really there for of course, and he didn’t disappoint. There was plenty of Hase and Lab4 before things went very melodic for the second half. Either side of the set we were catching up on things together, in between GULD pointing out the artist/name of every important track he heard.

Overall it was of course fantastic to hear some NRG again, but it was also a sobering little window into the state of the scene. The veterans are still supporting the sound as strongly as ever, but the tiny venue was only just full and the lack of younger DJs was pretty glaring. Who knows though, this could be the start of a revival in 2020. How soon it’s followed up by another event is probably key.

In the meantime, here’s GULD’s tracklist from the event. Oh and apologies for the terrible quality on the video by the way, but by the time another event rolls around I should be better fixed for recordings.

01. Hase – Attacker
02. Hase – Meditation
03. Yoji biomehanika – Rain
04. Lab4 – Falling Down
05. Lab4 – Resurrection (Hase remix)
06. Betwixt & Between – Zusammengehörigkeit
07. GULD – Spirits of Saiyan
08. Hatsune Miku – Senbonzakura (GULD boot remix)
09. Aryx – Aurora (GULD remix)
10. RR-ThermalForce – Al megiddo

Surprise little end-of-the-year reappearance here, and this might even be another one of those TYFTH returns to form. I’ve been playing around with a few sets lately, with the intention of finally streaming some short sets on a more regular schedule. Some might not be much more than half an hour or so, but at least that’ll be easier to do consistently. They could well include some of those old ideas like promo-only sets, other genres, that kind of thing.

For now, there’ll be a shortish set tomorrow as I ease back into things. This’ll be freeform on the darker side – which, as anyone who’s been keeping an eye on the scene lately will know, means a mostly older tracklist. The vast majority of the last run-through was based around tracks that I’ve never played anywhere before though, so at least it won’t be yet another rerun of me chugging through the old faithfuls.

Another post is on the way that looks at some recent(ish) releases, which will eventually make up for tomorrow’s lack of representation. In the meantime you’ll be welcome to stop by twitch tomorrow, or keep an eye on YouTube for the upload soon afterwards.

[edit]

Thanks everyone who listened live – apologies for the trouble with the visuals, that’ll be sorted before the next set. The audio version is up on YouTube now though, and here’s the tracklist:

01. Epyx & Cyrez – The Lurking Fear
02. Pain on Creation – Ironworks (Gain Edit)
03. Kevin Energy & Proteus – London Helsinki Underground (Proteus Warcry 2011 Remix)
04. Epyx & Cyrez – Polar Energy
05. Nemes & Blender – Inquisition
06. Morita Yuuhei – Sadistic Form
07. RR-ThermalForce – Eternal Cannon (DJ Rx remix)
08. Twisted Freq – Releashed (Original Mix)
09. Alabaster – Galaxy
10. Chris de Burgh – A Spaceman Came Travelling (Transcend remix)

The final Lucky Lotus online event has begun, and fittingly it’s the biggest so far with another very strong lineup.

Despite the lack of fanfare here you might even have noticed my name on the flyer once again – I’m very happy to be appearing with Shimotsukei for another back to back set. The timing wasn’t ideal (TYFTH hasn’t been in hibernation for nothing), but we’ve somehow come up with one of our best sets so far, running for a almost-silly 2 hours and 20 minutes. Hang in there for the whole thing if you can – it’s thanks to Shimo’s efforts that this all came together so well, while I tried to do my bit with more variety than I’m usually known for. It’ll be broadcast at 11:12-ish pm JST on Saturday, with both of us likely to be in the chat.

There’s a lot to look out for over the other days of the festival too – I’ll copy the full timetable below, but check the Facebook event page for full info. First glance highlights for those of a TYFTH persuasion might be Byproduct, Lab 4, Lv.4, Orphic, and Solvynt, with a lot of non-freeform names to make time for, too.

 

Timetable is in EST (-4 GMT)
Thursday
4:00 Vermillionaire
4:54 Slax
5:40 DJ Buttbaby
6:13 Debisco
6:58 mizu
7:42 Power2All
8:14 DJ D-Tor
8:49 Daniel Seven
9:49 DJ Neon
10:48 hyleo
11:30 W.T Snacks
12:29 CHZK
13:12 D-Luc-D
14:01 Komrad Zerokusu aka Neodash Zerox
15:00 Velatix
15:51 Furystomper
16:36 Drop Team Epic
17:36 E*Tank
18:09 Tamerax
19:05 DJ COSMiXXX
20:03 Audio X
20:47 Jampers&nd
21:48 Galaxy Kid
22:47 SecretC
23:16 diSKo Matic
00:08 END

Friday
6:00 撲殺少女工房 (Bokusatsu Shoujo Koubou)
6:44 Nadesicore
7:32 Tomatoism
8:16 12_1
9:00 Jadeabella
10:03 sabi
10:33 Solvynt
11:19 Coakira
12:04 Byproduct
13:00 DJ Amaya
13:59 DJ Stretchmark
14:44 rainy☆
15:39 Adinga
16:11 Fracus & Darwin
17:10 r_CREαт:FθсвеT
18:20 DJ Genki
19:20 DJ Speedycake
20:20 Nakura
21:20 STuwu
22:19 KyuubiRaver
22:50 Alaguan
23:50 END

Saturday
5:00 Chibby
5:30 Tomoyu
6:13 かたぎり
7:11 TamolarM
7:56 S3RL
9:12 Plasmadancer vs Shimotsukei
11:33 Noizenecio
12:18 Xavi BCN
13:17 quad (luvtrax)
14:17 Jennifer Walton
14:45 Lolistyle Gabbers
15:33 Jimni Cricket
16:32 Aki
17:32 TakeBakaShit feat. MC Otaking
18:36 DJ Melancholia
18:58 JAKAZiD
20:03 DJ4X
20:35 FlapJack
21:35 DJ Archari
22:05 Zovi
22:25 The D
22:56 Ranzor
23:34 END

Sunday
6:00 Capchii
6:59 Nishimura
7:45 Abitan
8:45 h11ky
9:17 LV.4
10:17 XIO
11:16 Lab4
12:16 Foxyun
13:21 DJ Liet
14:21 Ori Uplift
15:22 LOLIPO
15:46 DJ Reflection
16:14 4nzu
16:45 DJ Jo
17:29 DJ Akatsuki
18:15 Goreshit
19:00 DJ Virus
19:45 Archefluxx
20:30 Rob VanWest
21:31 -AUS-
22:15 Gabberbone
22:45 DJ Tenshin
23:18 Chia
23:49 Makobeats
00:08 END

Monday
6:00 DJ Taku
6:29 Raul Ivalo
7:28 YUKIYANAGI
7:58 Liteblue
8:29 Takuya Angel
9:33 android52
10:19 96-glass
11:04 MaidenV
11:39 CheezyP
12:39 MesoPhunk
13:24 Round Wave Crusher
14:23 Riku Namako
14:53 ViolonC
15:53 Illumize
16:40 hiero.
17:30 Kishuni
18:00 Sephi Hakubi
19:00 Orphic
20:01 Vau Boy
20:47 Noc.V
21:32 rainyrhy
22:32 WK9
23:02 Kuro
23:48 pea_txt
00:49 AFTER PARTY BEGINS

Slightly belated thanks here to everyone who listened to last weekend’s stream. As I mentioned on Mastodon, it was a nice feeling (and quite an achievement by recent standards) to announce and then plan a set at fairly short notice. More gratifying, though, was seeing some TYFTH regulars in the chatroom, ready and waiting even before the set started. It made my evening, and even if the streams don’t pick up a larger audience I would be more than happy to play for our little group as often as I can manage.

This time it was Alek-only, and to up the challenge (and interest) there were some relatively underplayed tracks in the list. Overall I was very happy with how it went, especially as a few sequences turned out well enough that they’ll probably find their way into the eventual Alek tribute mix. I’m thinking especially of that Ziggurat – Fuji – The Hater section, which feels like a pretty effective way to switch things up from melodic to aggressive. The overall progression was also good, and it bodes well for the ‘real’ set (whenever that’ll be) that I ended up cutting a few other new transitions to keep things as close to an hour as possible.

Tracklist

01. Alek Szahala – Balag Lamara
02. Alek Szahala – Maruuk
03. Alek Szahala – Voices of Babylon
04. Alek Szahala – Unholy Word
05. Alek Szahala – Tlaloc
06. Alek Szahala – Mageslayer
07. Alek Szahala – Dryad Machine
08. Alek Szahala – Ziggurat
09. Alek Szahala – Fuji
10. Alek Szahala – The Hater
11. Alek Szahala – Ngarnuuk
12. Alek Szahala – Vengeance
13. Alek Szahala – Icy Clouds
14. Aszagarnak – Shinnae