Last night was the first installment of Kanon’s new event, Illegrrls, and it was probably one of the best events so far this year. The whole concept is fantastic (only harder genres, with a girl-only lineup), so to see such a big crowd supporting it was really encouraging. The scene here’s been a bit disappointing recently, but Kanon managed to bring together ravers from all kinds of different groups for this one. I met a few DJs for the first time, as well as a lot of really nice people from events I don’t usually go to.

Anyway, I decided to go to the event at the very last moment, so after catching the last train and getting lost in Kabukicho (again) on the way to the club, the first couple of DJs had already played. I arrived just as Siki was playing her dark psy set. It was excellent stuff, if a bit more mainstream than Cogi’s style.

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Epyx – The Eidolon of the Blind (Dj Set) by Epyx

You might remember Epyx’s excellent industrial/NRG set from last year? Well here’s more of the same, another very well chosen selection of tunes that goes all the way up from industrial to gabber. Once again I was really impressed – the first half of this set is in particular is about as well-constructed as I’ve heard for a long time. The second half doesn’t quite match up, but the choice of tunes is great, with some recent and not-so-recent dark freeform working well together.

Check it out at Epyx’s SoundCloud, along with a remix of Rammstein’s Ich Will.

Nightforce & Twisted Freq – Kill You Slowly by Nightforce

I was meaning to catch up on some recent happenings yesterday, but at the last minute decided to go to Illegrrrls after all – some video coming soon.

A lot of people will have noticed this one up on SoundCloud already, a really nice new track from Nightforce and Twisted Freq. Kill You Slowly blends the two styles together brilliantly, with Nightforce’s melodies playing behind a brutal Kreatrix-style lead, and it has definitely come on a huge amount since I heard an early version. Of course it’s great news that TF is making a return – looks like there is more nastiness on the way, so stay tuned.

With the scene running a bit dry again so far this week, I’m really happy to see a long-awaited return to freeform from Cyanide Project. Back in 2007-2008 he came up with some excellent tunes, a couple of which I still regularly play at home, and since then I’ve been trying to find out if he’s still producing.

These three tracks show that he is, and his heavy-on-the-filters, slightly old-skool FINRG style hasn’t changed too much – a good thing, I reckon. All three tunes are nice, but my favourite might be Sacrifice, which has something of the much-missed Pain on Creation about it.

Check out all three via Cyanide Project’s MySpace.

Looks like I got the dates muddled up – this is the jungle event I was talking about a few days ago, so it doesn’t clash with Illegrrrls after all. It took some finding, but from what I can tell this is real old skool business with everything from 90s breakbeat hardcore to ragga jungle. There are only three DJs through the night, and one of them is YAHMAN – here’s a video of him playing in Nakameguro a couple of years ago. Terrible video quality, but two absolutely classic tunes from back in the day. I used to love the second track here, it’s the ’94 remix of Conquering Lion’s Code Red.

Back from Asakusa and a fun night at ECLIPSE. Guld was headlining of course, and I headed over there with Cogi just in time to catch the end of Morphonic’s set – it wasn’t the NRG he used to play, more like fairly mainstream techno, but for the last couple of tracks he played much older material from his Hashimoto days (and the crowd predictably enjoyed that more).

Guld followed right after Morphonics, and his selection was pretty much perfect for the event. The bpm was fairly low for the whole set, around 160, and he ran through a lot of older tracks while throwing in tunes like Android Lime’s Sunray remix and Hase’s Disintegration. The video at the top of the post was his intro, using a tune from anime classic Akira before going straight into Requiem.

The rest of the night was a lot slower and heavy on the hard house, but definitely had its moments. DJ ni-21 was technically fantastic, and even if I wasn’t too keen on many of the tunes, his mixing really kept the interest up. DJ 204 finished the event with a very varied set, going from chunky hard house to cheesy J-pop remixes, via the occasional hard trance tune. The highlight of his set (for me) had to be a hard house remix of Slipmatt’s 1993 hardcore classic from SMD 1. I was dancing at the time and forgot to take a video, but here’s the original – weirdly I was listening to this track in one of his live sets just a couple of days ago.