Drum & Bass

PlasmaDancer – TYFTH Live 011, 25th February 2024

Posted by PlasmaDancer on February 27, 2024
Posted in: Drum & Bass, Finnish, Goa / Psy, Japanese, Mixes, UK, USA. 3 comments

Unprecedented scenes here, as a second TYFTH set goes online within a month (or so) of the last stream. I’ll soon be away again for a week, but signs are that there’ll be at least one more in March. Enormous thanks once again to everyone who joined the stream, it’s a genuine pleasure to share these tunes and catch up in the chat.

Special mention to Butterfly Effect,  sneaking its way into the set to become the first UK freeform track I’ve used for many years. The goa-style acid in the second half made it a contender for the stream’s psychedelic theme, and layering it above and below Man Eaten and Ancient Universe made for a good intro (and covered up some elements I wasn’t so keen on).

I was quite happy with the rest of the set considering how quickly I put it together – the Qygen section at the start is overly long because there were originally some other tracks in there that were cut at the last moment (plus they’re two of Qygen’s more enormous tracks, of course). Otherwise I’m pretty happy with how the set meanders around some freeform-adjacent genres but gets back on track for the final third.

One of the not-exactly-freeform tracks was Zoonoodle’s 国, which jambt0 corrected to 掴 during the stream. edit: Thanks to some Sherkel sleuthing it seem that 掴 is the right choice after all. Apologies to jmbt0! Isn’t it a great track, by the way? It’s long been in the running for the next FINRG set (and might still be), as it’s minimal enough to use with just about anything while having a dark atmosphere of its own.

Next time might be the hard techno set I’ve mentioned before, as I’m banking on that being easier to put together in haste. Nothing definite yet though – let’s see what time allows.

Exemia – GUNVEIN (OST)

Posted by PlasmaDancer on January 13, 2023
Posted in: Drum & Bass, Goa / Psy, Releases. 6 comments

If you’re as much of an Exemia fan as me you’ll already know that he was signed up by NGDEV to work on Gunvein’s OST. I was definitely planning to give the soundtrack a mention anyway, but for full disclosure I was kindly gifted a promo copy by Exemia around the time of release. It seems the ‘freeform loving shmup fan’ demographic is marginally bigger than I expected, and for us especially this was one of the most interesting releases of 2022.

Like Gunvein itself, the OST has plenty of late-era Cave atmosphere to it, but (unsurprisingly) a much more authentic hardcore feel to most of the tracks. One of the drawbacks from a freefrom DJ’s perspective is the short running time – you’d need some nimble mixing to get many of these into a set. That’s obviously not the main goal here though, and the variety is what makes this a fine listen even unmixed.

There’s more drum and bass here than I was expecting, but if anything less guitar – this is a very DoDonPachi inspired game, after all. No surprise that Exemia absolutely nails the stage 1 theme, with enough of a shmup feel to start things off followed by full freeform in the second half. Another favourite for me is Exhaled Haven, both a superb boss theme and a track that would easily fit into an Exemia freeform set. An extra mention too for the chilled ending track with its lovely drums and chirpy main lead.

Lately I’ve been back to trying to 1cc Guwange among others (I’ll take talk of that to Mastodon, not here) so I haven’t yet given Gunvein the time it deserves. With the reception it’s had so far and the best OST since Blue Revolver (or GG Aleste 3 if we’re including non-freeform) it’ll likely be worth the wait.

Synesthesics – Transcending Consciousness

Posted by PlasmaDancer on March 18, 2020
Posted in: Drum & Bass, Goa / Psy, Releases. Leave a Comment

Bad news first – there’s no freeform here, or the high bpm psy/goa influenced stormers we’ve heard before from Synesthesics’ alias, Mellow Sonic. Instead Transcending Consciousness is a phenomenal album of atmospherics that draws on some similar elements, and should have at least something of interest for many Horsers.

Starting with the clearest Psychokinesis influences, then, Celestial is my favourite of the goa/psy-styled tracks. Somewhere around 150bpm, it’s a lovely, deep acid track that inevitably had me wishing for more of the freeform that I fell in love with last time around. These are great tracks though, living up to their sci-fi styling to such a degree that they’d probably be tough to mix with the majority of goa. Adding some depth to a psytrance set could be where they’d shine, but what would I know about that?

The album’s title track could well be my favourite, some superb breaks that easily match Alek Szahala’s experiments along these lines. One of those genres I’d like to get more into, but it would have to be up to this quality for me to take interest. Proper melancholy cyberpunk atmospheres here, I think it’s fantastic.

The second half of the album is the highest standard of drum and bass production I’ve yet heard from Synesthesics, and even if it’s not my preferred genre some similar atmospheres are continued here. I’m no expert on more sci-fi styled drum and bass, but this is excellent stuff that gave me older Black Sun Empire feelings in places.

The wait continues for more Mellow Sonic freeform, but this is an inspiring mix of styles to enjoy in the meantime, and comes highly recommended.

PlasmaDancer – TYFTH Live 006

Posted by PlasmaDancer on March 15, 2020
Posted in: Drum & Bass, Finnish, Goa / Psy, Japanese, Mixes, USA. Leave a Comment

Thanks again to everyone who stopped by for the last stream – seems like this one caught some interest and there was a decent-sized group listening live, especially given the last-minute promotion. Listening back I’m pleasantly surprised by how well the set works, so this one has also gone up on the TYFTH SoundCloud. There’s a much bigger audience over there, for what turned out to be a nice ‘beginner’s set’ with plenty of newer tracks.

The initial idea was to build the whole thing around more melodic freeform, but it also ended up feeling a lot like one of my old school sets. They tended to mix up melodies and nastier tracks a lot more than I do these days, and it was quite refreshing to rattle through a new generation of tracks in that style. The Exit 133 – No Choice At All transition is one I’ve been sitting on for a while, tweaked a bit here but still a very welcoming combination that leads into the faster-feeling modern tracks. polaritia’s tracks were my go-to when I realised that I didn’t want things to head into ‘happy freeform’ territory – maybe it was mixing muscle memory that transformed the set into something I might have played at Hell’s Gate all those years ago.

Cannibal Girl was as fun to use as expected, and I have a feeling that it could become the Hellfire of the current era – very flexible and able to switch up the atmosphere of almost any set. Less planned was the choice of Rise From The Darkness, as I actually bought the track an hour before the start of the stream. I’d been scrambling for something to link with Facemelt, so that along with the breakdown’s nod back to Cannibal Girl made it a good choice.

The set was supposed to end with Zafkiel, but I was having such a good time I thought to carry on a little longer. SIBYL was a nod to Kokomochi in the stream chat, as it’s by far my favourite of his tracks, followed by Substanced’s remix of Cyclone. I’m yet to find a really good transition for it, which meant I didn’t feel quite so bad shoehorning it into the ‘encore’ slot.

There are still a fair few tracks on the more melodic side that I’d like to play, so it might not be a bad idea to switch things up with another set in this style before too long.

 

Thoughts on TYFTH Mix Construction

Posted by PlasmaDancer on October 10, 2018
Posted in: Drum & Bass, Finnish, Goa / Psy, Japanese, Mixes, UK. 10 comments

Believe it or not, this post is in response to a few requests I had, many years ago, to talk a little about how I put my sets together. Back then I felt I had a lot to work on, and either way wasn’t really confident enough to articulate what I’d learned so far. Although there’s still plenty to improve, the combination of more regularly hitting what I feel is the ‘TYFTH style’ and the collected notes made during a decade of mixing mean that now might be the right time to give an explanation a try.

With as many mixing styles as there are DJs, it should really go without saying (despite the occasional imperative mood) that I’m in no way prescribing this as the way to put a freeform set together. Taking set construction so seriously has always been massively rewarding for me though, so the hope is that this will be an interesting look behind the scenes for those who enjoy TYFTH’s mixes.

These thoughts (they’re far too meandering to be called a guide) are roughly divided into three sections, covering the main steps in my mixing process. Particularly important points are noted along the way, and to help with the explanations a few PD sets (or even transitions within them) are used as examples, as well as occasional mentions of non-freeform sets that have inspired me over the years.

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JNKS – FINRG Podcast 004 / Alchemiist – FINRG Podcast 005

Posted by PlasmaDancer on March 6, 2018
Posted in: Drum & Bass, Finnish, Mixes, UK. Leave a Comment

I’m slow (of course) to mention the most recent FINRG podcasts, but even if you’ve heard them before they’re well worth a revisit as DJ case studies.

Listening to these sets you can hear right away what freeform means to each DJ, with both featuring some similar tracks as part of two very different atmospheres. JNKS’ 64 minutes goes from happy/UK hardcore to some solid gold FINRG and back again, while Alchemiist plays some surprisingly melodic freeform, connected to neurofunk and hardcore by a few darker oldies.

JNKS’ selection is spot on, with a huge number of later-era happy anthems (including remixes to keep veterans of the early 90s happy), while the potentially hazardous transition into the FINRG section is very nicely handled. You really can’t beat the gritty sound of tracks like Killer Instinct and Illuminate, and of course it’s nice to see the obligatory Alek appearance.

Alchemiist’s steady progression into the non-freeform final third is just as well handled, but the standout section of the set was a more conventional one. I might prefer the original PVC, but the transition from Ghost of Jupiter into Lost Soul’s remix is still top class and a worthy centrepiece to the set. Absolutely lovely stuff.

Both essential listens then, as is the entire podcast series so far.

Nonaka+Chin – Future_Proof Sounds mix series

Posted by PlasmaDancer on December 10, 2017
Posted in: Drum & Bass, Japanese, Mixes, UK. Leave a Comment

If you’re in the market for some melodic freeform then Nonaka+Chin’s FutureProof Sounds set might be a good one to check out. I often think of Nonaka as the Midas of the Japanese scene – his mixing level, thoughtful selection and taste for the Finnish sound alongside the UK freeform means there’s always something to enjoy.

This one is excellently mixed with some nicely considered transitions, and even if there’s a lot of UK freeform that I can’t name (not laziness, there’s actually no tracklist here) the set is also a fine showcase of Japanese tracks with artists from ikaruga_nex to Hyphen, via Alabaster’s Galaxy. I found myself wishing for some darker sounds but that’s clearly not what the set is aiming for – instead this is the place for some well-selected melodic highlights of the current scene.

BLUE REVOLVER Black Label

Posted by PlasmaDancer on November 22, 2017
Posted in: Drum & Bass, Goa / Psy, Releases, USA. Leave a Comment

Presumably we’re all familiar with Blue Revolver, 2016’s fondest of fond tributes to the modern(ish) shmup? I usually manage to restrain myself from too many game-related posts here, but BR sneaked through thanks to Wyrm’s sound design and a pretty remarkable OST from Qygen. Plus of course there was the excellent collection of remixes, including the return of ikaruga_nex and some lovely stuff from Hyphen – the game itself’s a must-purchase if you’re even slightly into the genre, but at the very least you need the soundtrack, which was comfortably one of the best freeform releases of the year.

Black Label is a CAVE style rebalance/update of the mechanics and frontend, with a genuinely interesting list of new additions. What’s bolder though is an arranged version of the soundtrack, wisely deciding not to try out-freeforming Qygen and instead taking things in a more conventional soundtrack direction. Exemia and Hagane are nice choices for remix duties (especially after Exemia’s quality work with Aerolith Aurorablast), and Hagane’s lush, breakbeaty take on Qygen’s tracks is sounding very successful so far. Black Label will be appearing in January next year.

Shimotsukei & PlasmaDancer – Lucky Lotus 7

Posted by PlasmaDancer on June 30, 2017
Posted in: Drum & Bass, Events, Finnish, Japanese, Mixes, USA. 3 comments

Apologies to the Lucky Lotus chat crew who have been expecting this for almost a week, but hopefully late is better than never – best we take a look at this one before we work through some other very promising sets from last weekend.

You might remember that we were both originally on the lineup to play individual sets, but what with one thing and another it worked out easiest for us both to go for another collab. Not that I’m complaining – last year was really good fun, while this one was a great way to get over a slight lack of recent freeform inspiration on my part. I have a darker set in the very early works, but last year’s In Praise of Shadows mix worked out so well I’m having trouble matching that for the time being.

Instead I thought a slightly more melodic approach might be interesting this time, including some of the freeform side of IPoS. Shimotsukei had her own ideas of course, and the set somehow worked out very nicely with minimal rejigging of the tracklist. My toughest job was to come up with pre-Fleshfest sequence which led me to settle on Some More. Years of diddling around with the track has still left me with no decent transitions, and so after spending time on all sorts of bizarre combos I gave up and went for a Grimsoul-only opening. We don’t hear his tracks often enough these days (Sentimental Pain aside), plus it was my first time to use any of the three in a set.

Shimotsukei’s sequences are all fantastic, from the standout NRG of Fleshfest – Mad Man to the so-mad-it-might-just-work finale of Voodoo to Xochitlan. Each sequence is made all the more impressive by the fact that Shimotsukei was mostly working with my completed sections of the set, once I had cheerily passed them on for her to struggle with.

My own favourite section is Syxautik to Ascend to the Stars, even if it’s the most roughly mixed (with some suspect levels that definitely didn’t seem as bad while mixing). I was trying a dark, deeper atmosphere there, with some more emotional sounds coming in as it progressed – I think it’s pretty successful, and a bit of a preview of the kind of thing I’d like from the next solo set.

It was very nice to see the positive reaction to the set in the LL chat, as well as exchange a few words with Horsers for the first time in far too long. Big thanks of course to LL for the invitation, and especially to Shimotsukei for all the hard work to get the set ready in time. I hope we’ve still got a few more collabs ahead of us, they’re going well so far.

I haven’t given up thoughts of the occasional live set stream (on chew, twitch, or somewhere else) and will keep you all posted, but I do at least have a new mix approaching completion – not the usual thing at all, but hopefully it’ll be the kick needed for a more productive second half of the year.

01. Grimsoul – Escape Forever [Electronica Exposed]
02. Grimsoul – Pahus [Electronica Exposed]
03. Grimsoul – Some More [Electronica Exposed]
04. Carbon Based, DJ Rx & Proteus – Fleshfest [FINRG]
05. Proteus, Ephexis & Ting – Angel of Hell [UHOtrax]
06. FEN Project – Mad Man [FINRG]
07. DJ Rx – Fisheye [FINRG]
08. Morita Yuuhei – The Ghost [Thank You For The Horse]
09. Alek Szahala – Dryad Machine (Hyphen Remix) [Thank You For The Horse]
10. Nightforce & Substanced – Operation Stardust [Electronica Exposed]
11. Pain on Creation – Mortality [FINRG]
12. Twisted Freq – Syxautik [Electronica Exposed]
13. Mellow Sonic – Paradoxon [Cosmicopia Records]
14. Alek Szahala – Ascend to the Stars (Qygen Remix) [ReBuild Music}
15. Anon – Voodoo (Power Mix) [White Label]
16. DJ Eclipse – Ultra World 5 [Bonkers Records]
17. Betwixt & Between – East of Eden (Remaster) [CDR]
18. Alek Száhala – Xochitlán [FINRG]

Lucky Lotus – Summertime Dreams

Posted by PlasmaDancer on May 25, 2017
Posted in: Drum & Bass, Finnish, Goa / Psy, Japanese, Releases, UK, USA. Leave a Comment

I dread to think when the last post was – Life Stuff has meant some schedule juggling to fit everything in, and TYFTH has been suffering a bit as a result. Finally getting around to a few posts though, starting with the grand launch of Lucky Lotus’ CD compilation, Summertime Dreams.

The most significant news so far for freeform in 2017, this compilation has some very big names on board – Nomic, Qygen and Morita Yuuhei top the bill, with a very nicely produced contribution from Erkenfresh and Archari and Shimotsukei’s Dagor Dagorath adding some up-and-comers to the tracklist. With Shimotsukei in charge of things the rest of the release is about as eclectic as you’d expect, giving us a taste of everything from funkot to downtempo chillout, via Lab4’s excellent, roll-back-the-years NRG track, Moving To The Beat.

edit: I’ll blame posting rustiness for not mentioning something so important yesterday, but LL has announced that Qygen’s Crystal Cave will be his last freeform track. Talk about another huge loss to the scene, though the signs are that he’ll make a return to music of a different sort in the future.

Not really a release you can afford to miss, I’d say – it’s set for the end of June, but preorders are open already on the Lucky Lotus bandcamp and bigcartel sites.