Mixes

Here’s a set that certainly hasn’t found the number of listeners it deserves, one that should be of interest of anyone and everyone still checking TYFTH. Last year was the 10th anniversary of Betwixt’s passing, and Shimo put together a fantastic tribute set alongside Sphaera – I won’t blow their cover, but they’re also a long time friend of TYFTH and one of the scene’s best for complex, well-planned sets.

With Shimo involved it’s no surprise that this hour absolutely rockets through the bpms, starting with an inspired combo of schranzy industrial tracks. I’ve tried and failed to put this kind of thing together in the past, and Piropiro to Enter the Void is as good a sequence of Betwixt mixing you’ll hear anywhere. That’s unfortunately followed by an example of the weaker aspect of the set – two or three transitions that have too many clashing melodies for me to enjoy. The move into Eternity Has Passed isn’t the worst offender, mind, and on the whole they can probably be put down to the DJs swapping in and taking on an unexpected melodic track.

Don’t let that put you off though, as there are some spectacular moments in here. Personal favourites are Tankobu to Point of No Return, and Tout est Bien into al Megiddo, as well as a tracklist that takes in a lot of Betwixt’s styles over the years. You’ll notice a few less common tracks and remasters too, so this’ll be an educational listen for many Betwixt fans.

This was obviously a special project, but I really hope we’ll see some more recorded sets from Shimo and a comeback of sorts from Sphaera. Both are, for me, just about at the top of the freeform DJing tree, both in terms of mixing and track selection. With plenty of newcomers on the scene these days it’s more important than ever to keep Japanese/Finnish freeform in touch with its roots, after all.

I discovered them late, but even so it’s long overdue to give woof’s series of twitch events a mention. Titled WOOFYPARTY, they were streamed every month or so last year, and the sixth edition featured an excellent comeback set from Raqhow. Talk about tailoring your set to the audience – think of a freeform track with an anime or game connection and it probably appears at some stage. From Operation Stardust to Mezame, they’re all here and brilliantly mixed. I never would have thought that they could work back to back in this way, and as the final (and only freeform) set of the event it was perfectly judged.

The rest of the event covered all kinds of genres in woofyparty style, including a great Byproduct set that I’d also recommend. Keep an eye on woof’s Twitch channel in case of another event though, as the chat was very lively in the last recording and joining the live version would be a fun time.

Let’s start the year off with a few things that I should have mentioned at the end of last one. The first is thanks to Shimo again, and an older set that some will have heard already. I somehow totally missed it at the time though, and it’s a very pleasant surprise to see the level of back catalogue that Risa/Rinergy has been building up over the past year or so.

If you’ve been paying attention recently then you’re already familiar with the excellent Ordeal, released late last year on Khaosnet Civilization 3, but it doesn’t even find a place in this promo set. Impressively there are a fair few tracks here that match its Nomic-esque emotional melodies, and a couple that get as close to Nomic’s style as anyone has managed for a long time. There’s also a pleasing preference for filtery leads – I’ve long thought they can improve even the most unispired freeform melody, so when they’re used with Ri-energy level of composition we’re really talking.

Overall it’s a nice combination, as those filtered melodies have something of a Substanced/Hyphen feel while the piano and swelling strings steer things in more of a Nomic direction. This is also a brilliantly constructed set with (a couple of exceptions aside) some quality transitions that are as good as you’ll hear in an artist set/live PA affair. While the final Substanced remixes aren’t my thing at all they’re a good example of how Ri-energy’s production range stretches a lot further than the excellent but pretty consistent style we’ve heard for the previous 50 minutes.

Obviously a recommended set then, and if ever CODEX is to make a reappearance Ri-energy gets my vote for a Live PA slot on the lineup – I’d love to hear a set like this in a club setting.

The fresh take on the classics that we’re getting from the newer DJs has definitely been one of the highlights of the last year or so, chiefly from Asukarai Matsuri. This Alek tribute is as good as you’d expect and if (like me) it’s been a while since you heard a full set of his tracks it’ll be just the dose of inspiration you need to finish off the year.

Asukarai Matsuri does a fine job here of deciding when to keep things in key and when to work out another way through a transition, with the first three or four tracks being a good example. Dryad Machine is the (slightly abrupt?) cue for things to head in more melodic direction, with some excellent selection choices. The Lagash – Mohicans transition is superb, but the later Superstition – Man Eaten is even better and probably one of the best Alek combinations I’ve ever heard. Although I would have moved Caballo to earlier in the set to keep things as dark as possible, that’s really nitpicking what’s a high quality tracklist. The finale of Firecloud into Xochitlan is such a good combination of ferocity and depth, plus a last airing of the all-important sample, of course.

I’d rank this as the best Alek-only set I’ve heard so far (his own live PAs are in a different category, for me) and the thoughtful mixing makes it a must listen for veterans as much as newcomers.

What’s this, another recent set to check out? Hedonistik Ritual is now settling into a schedule with his Hard Tranceformers podcast, a hugely impressive two-hour session of trance up to freeform. I’m biased this time, but even as someone who doesn’t care much for (non Goa) trance or hard trance these sets are excellent. Enough variety to keep anyone interested, and some quality track introductions and other info from Hedonistik while he plays.

This time it’s Cyhyraeth that made an appearance in a set – superbly mixed in after Powers Beyond(!) and followed by Drug Abuse, something I never would have imagined. Aside from being played at an in-person event I can’t imagine there are many better feelings than hearing another DJ do something creative with one of your tracks, so this was a real treat. Special thanks to Hedonistik for the kind words while introing the tune, and extra kudos for nailing the cyhyraeth pronunciation.

Early impressions are that these podcasts are (unsurprisingly) getting a wider listening audience than the usual freeform veterans, making them a fine entry into our reawakening scene for trance/hard trance fans.

Time for a belated look at another Asukarai Matsuri set, again a pretty fascinating look at how a talented newcomer to the scene approaches the NRG and freeform back catalogues. This is a great hour of freeform, and very recommended even if you’ve heard most of the tracks a million times before.

The track selection definitely reminds me of my own early days, with some of the all-time classic melodic tracks alongside more aggressive sections. Global Killer – Tuonela is a fine start, but it’s probably the next section where things step up a level. A darker atmosphere moves smoothly into Voices of Babylon, followed by a very impressive stretch of filtery melodic tracks. It obviously made my day to hear Hell’s Gate, especially as the transition into Morokai is one of the very best of the set. The finale is a classic dancefloor-friendly bpm increase, nicely done here with some Lost Soul and Nirotiy, before Hydra deepens things at the finish.

Overall another excellent set, and what it lacks in unified atmosphere from start to finish it makes up for in quality track selection. With literally a few hundred classic tracks yet to appear in his sets, I’m looking forward to AM’s next tribute to the golden age.

I was listening to Proteus’ Hard NRG V recently, and Lou Cypher Project’s Plague jumped out me as one of those nice early-era NRG tracks. It turns out that Lou Cypher Project’s are all available on their SoundCloud, with 7 or 8 in the Weirdo-esque style of Plague. My favourite is The Next Level, as its harder kick and low-end heavy synths could still do the job in a Hardcore for Life style set. Old news for many I’m sure, but check these out if you’re in the market for some retro NRG.

Belated shout out for a rare Asahi mix that’s worth checking out for lots of reasons. He’s got such good taste in NRG that it’s always nice to hear one of his sets, and while this one sounds a bit rusty in places there are some top class track combinations that I enjoyed a lot.

I somehow completely forgot about Mask Man, and here it shows what a strong track it is by combining excellently with Lush. I must admit that I zoned out a little once the UK freeform kicked in, but saying that Krater is a quality transition track that could come in handy for a lot of DJs.

The big showstopper for this set has to be the inclusion of an unreleased Booty promo, a superb track with an odd, experimental atmosphere. I wish I could hear more of these, as they make you realise how much influence might have had on the other Romancer artists. Close to zero chance of any of his material seeing a release, so we should all be extra grateful to Asahi for giving them an airing.

Last call for TYFTH Live 009, as it’s been visible in all the usual places since February. That includes Twitch, as it’s highlighted there and shouldn’t disappear anytime soon (if ever?). This was a a very fun set to put together, with many old and new tracks getting a play for the first time. I’m very happy with the atmosphere, even if (as usual) it was a lot of work to put together.

The biggest Horser-related news from the set was that we had two tracks on show – my Cyhyraeth and Sherkel’s superb Concealed. I’ve been trying to work out a way to use it in a set for quite a long time now as it has an extremely long, atmospheric breakdown. The opening three tracks of this set (repurposed from a CODEX appearance) are pretty hectic and absolutely set the tone, but are combined in a way that keeps the long breaks to a minimum. That was the perfect platform for Concealed, then, and I love the flow of that section.

Of the other transitions Perkele! – VPN is probably my favourite, as they’re two tracks I’ve wanted to play for years but are extremely challenging to use well. It was one of those lovely mixing moments when I realised there was potential to combine the two. Another high point was the Twisted Freq section (which needed some 3-deck action to get things working), as I combined the two in that way to reduce the massive breakdowns that you tend to get in Kreatrix tracks. PHASE 6 – Tigris also works really well, linking PHASE 6’s break with Tigris’ intro to deepen the atmosphere some more before the dark-but-melodic final part of the set. Oh and Mirage – Chimaera has never been in any of my online/event sets, but I used a less ambitious version in my first ever freeform mix back in 2006.

I was very happy to see how well the set was received live on Twitch – a massive thanks goes to Shimo for her raid, and to all the Fairy Forest crew who stayed around to listen. I’ve played to far fewer people at many club events, and it was a bit overwhelming to try to keep track of the action in the chat. Apologies to those I missed, and I’ll try to be on top of it next time. It actually crossed my mind to have a mic set up for interacting with everyone listening, but then I’d need to also record the set through Traktor to get the clean audio. I’m wary of adding more stress to my overloaded setup, but I’ll do some tests before deciding one way or the other.

Obviously I missed the March deadline for the next one, but more than ever these days I get the feeling that people expect a certain kind of set from me, and just throwing one together at the last minute wouldn’t really cut it. With all the newcomers to the scene and the ever-increasing distance between now and the release of those 2000s tracks, hopefully my ‘old and new’ style can still hit the sweet spot between introducing the classics to freeform rookies, while pushing the newer tracks and producers that are keeping that spirit alive. On that note, I’ve put in quite a bit of time to the next mix, with an intro just about decided and another section that has some lovely combinations. I’d say it’s pretty likely to appear this month, depending how well I manage the traditionally tricky middle part of the set.

Back in the day I used to rely on Midas for my UK freeform, as he would usually find a nice balance between the UK style and FINRG that gave a taste of what was happening in both scenes. More recently Hedonistik Ritual is definitely the one to watch for that, though as a producer and FINRG member he’s going a few steps further, of course. I’m a bit late mentioning this one, but his Exposed Events set was a fine example.

The set starts off with some Lab 4/Substanced/Carbon Based, easing into things before the UK freeform comes in. It’s always interesting to hear a mix of the two like this (even if this set is definitely more on the UK side), especially with Hedonistik’s energetic mixing style that always keeps the interest up. As many will know, he used to be (still is?) an MC, so he’s a natural at hosting and introducing this sort of streamed event.

Watch out especially for Hedonistik’s tracks, Pelko’s Hellchoir and a nice use of Kokomochi’s Megaptera towards the end.

1.Lab4 – Reformation (Nick the Kid Remix) Intro
2.Lab 4 – Reformation (Carbon Based Remix)
3. Substanced – Geneva pt 3 (Carbon Based Remix)
4. DJ Scot Project – O (Mark Sherry’s Acidburst Remix)
5. Alex Mo – Over the Rainbow
6. Hedonistik Ritual – Invasion
7. Pelko – Hellchoir
8. Aeon – Apostasy
9. Angel 0A – Psychokiller
10. Kokomochi – Megaptera
11. Kevin Energy & Afterburner – Escape Velocity
12. Impact – Phat as Phuck (A.B & Hedonistik Ritual’s Keep it Freeform Remix)
13. Ephexis – Sick Seduction