Finnish

There aren’t as many Alek Szahala-only sets kicking around as you’d expect, so this 80 minute mix from Midas was a very pleasant surprise. The tracklist is an especially interesting one that sets off from an unusual starting point, runs through some darker classics, and ends on some faster darker classics.

You could hardly ask for better, and that unusual opening (starting with Lagash 2012) features some really brilliant transitions – Astraia and Avalanche were made for each other at this bpm, and Heaven & Hell is a great choice. Very nice to see Noitavasara in there (a tune I’ve been trying to use for the past year or so), while Hydra is yet another excellent, surprising selection. After the bpm has crept up this high, then why not finish with the traditional Xochitlan?

This set came to soon for any chance of Enuma Elish, but that aside, a quality tracklist and rock-solid mixing in typical Midas style make it very highly recommended.

An interesting take on the dark/melancholy formula here, in a set from DJ Danny Stokes. Recorded a few years ago, the set is anchored around a few heavily pitched up Lab 4 tracks – this might be a deal breaker for some, but it’s this and the surprising combo of Nu-Energy with darker tracks that are the noteable elements here.

Although personally I could do without tracks like Kevin Energy’s remix of Lumi, it’s tracklists like these that show the potential of coaxing more UK freeform-centric DJs towards the FINRG, EE, Kreatrix and (wait for it) TYFTH side of things. As an example, CLSM’s Revolution remix works brilliantly here as a link between Lab 4, with Adaption making perfect sense as a follow-up.

It’s thought-provoking stuff, before the second half of the set switches into a nicely mixed selection of old favourites. I have my own thoughts on how the TYFTH flavour of NRG and freeform can reach wider audiences, but sets like these (and Thumpa’s, obviously) show a another possible, optimistic attack vector on the less grimdark corners of the freeform world.

I mentioned this here and there last week, but I’d like to give Gabriel Wigren’s work another hat tip on TYFTH itself. He’s of course the artist behind In Praise of Shadows’ cover art, which should be reason enough for you to check out the rest of his portfolio posthaste.

The end result speaks for itself, but regardless lets do some speaking – the whole process was never less than incredibly professional, and with only my concept for the album and a few representative tracks (this was back in 2014, so before any of the In Praise of Shadows tracks were ready) Gabriel did an unbelievable job of visualising it all.

Whether you’re in the market for a commission yourself or just want to enjoy some dark, beautiful atmospheres, Gabriel’s devianart is very special indeed, and couldn’t come more highly recommended.

Slightly belated notice of a new(ish) set from me and Shimotsukei that went online recently and was part of Lucky Lotus 6 back in June. We decided to make things more interesting than the usual ‘one half each’ setup and try a more aunthentic back to back, alternating every few tracks. It all came together far easier than I was expecting, and there are a fair number of rarer/unreleased tunes amongst the classics.

Big thanks of course to Lucky Lotus and Shimotsukei for such a nice opportunity to take on something different, and I hope we’ll have a chance to give this another try in the future. Tracklist is below, and the set is downloadable on the FINRG SoundCloud.

[PD]
01. Tyranoid vs Strongstream – Spice/Epice
02. Epyx & Cyrez – Game Over (Tyranoid/Strongstream Remix)
03. Epilim – Rapid Fire
[Shimotsukei]
04. Carbon Based & DJ Rx – Reptile
05. Pain On Creation & Fea – Unconsciousness
06. Epyx & Cyrez vs Fea – Untitled 4 Evah (Unfinished edit)
[PD]
07. Nomic – Neptune
08. Alabaster – Galaxy
09. Re-form – Cyanide
[Shimotsukei]
10. Epyx & Cyrez – Neverlasting
11. Le Dos-on – Rising Sun
12. Proteus – Venla
[PD]
13. DJ RX – Hellfire
14. A+D+A+M Lab4 – Psychopath
15. GULD – Hannya 2
16. VICE TEK HEAVY INDUSTRY – 3M3SIS
[Shimotsukei]
17. Betwixt & Between – Matsukin (Remix)
18. Nomic – Mutantit

Just realised that I gave a post-release update on Facebook but not here – mainly it’s to thank everyone for the support so far, and to let you know what’s been going on in the days since.

The release at CODEX was a big success, and from the first few minutes the online store went live there have been orders from all over the world. The FB announcement was to let people know that I made the first round of deliveries on Monday and Tuesday, but since then there have been plenty more and they’ll probably be sent out tomorrow.

Really heartfelt thanks to everyone for supporting and promoting the release, it gives me hope that there’s still an audience for our music and the potential for growth is definitely there. I’m hoping to get on the case with advertising more widely in other scenes, and there might need to be some alternative ways to buy the album for people in Japan, so stay tuned for that.

As an aside, I forgot how bad I am at packing anything, so apologies in advance for some over-enthusiastic efforts that might require a chainsaw to get through…

In Praise of Shadows finally has a release date, and it’s the day after tomorrow – you will be able to order the compilation on Saturday, or head along to CODEX where you’ll be able to pick up a copy on the day. Orders placed online will be sent out asap – probably the following day, depending on the response.

The compilation will cost a fairly standard 1500 yen, but some good news is that postage will be free (or absorbed within the cost of the CD, whichever way you want to look at it) and will take 6-8 days to most countries via airmail. I’ll have a simple guide to the ordering process over on the Music page, but of course feel free to drop me a message if you have any questions. The online store side of things is another expedition into uncharted territory, but I’ll be doing my best to make things as smooth as possible.

I’ll be promoting the release in all the usual places, but as time always seems to be short these days some word-spreading from the Horsers would also be really appreciated. How about thoughts on music sites etc. that might be interested in reviewing the album? I have a couple of places in mind, but I’m open to suggestions.

Apologies again for the silence here lately, but it was for a good cause – and hopefully things will pick up again after this weekend.

Lucky Lotus 6 was very high on quality, and I’m still working my way through a few of the sets from the event. So far my favourites have been Nomic and Solvynt, two distinctive sets that did a fine job representing freeform.

Nomic’s hour won’t disappoint – it’s one of the nicest balances of melancholy and harder stuff that I’ve heard for a long while, while the WIPs and new tracks mean there’s plenty for Nomic veterans to check out, too. We have to mention the opening, of course, as the third part of Falling Star is an absolutely beautiful track that does more than enough to distinguish itself from the ’08 version. Watch out for new track Shattered, as it starts a very classy section from there to Black Lotus, before the traditional harder finale, this time of Leave Me Alone / Mad Man and Holocaust.

Solvynt’s set comes at things from a DJ angle, and so in my book the transitions, selections and ‘story’ of the set should take centre stage. Right from the start it’s clear that Solvynt has kept that in mind, as the Superstition – Purple – Tendrils of Reality combination is about as good as you’ll hear anywhere. There’s a lovely flow to it, from the psychedelic darkness to the way things build up to the harder stuff with Tendrils, and if things had maintained those standards for the entire set we’d be looking at an all-time classic.

Easier said than done (and I certainly don’t think I’ve ever managed it either), but even when the flow is interrupted slightly the tracks themselves are high quality choices. It’s from Brionac, though, where things get back into top-level territory and the kind of twisted atmosphere that’s so hard to get right with freeform – that move into The Ghost of Jupiter is great, followed by some superb use of Nomic and Pain on Creation. Unicorn Grove signals a classic Alek/Betwixt finish, a nice way to end a very impressive hour.

Back from a recuperative few days away, and time for another update. In the back of my mind I’ve had 10th August as a release date to aim for, but alas there’s some more waiting to do and that won’t be possible. Two weeks ago I was told by the plant that an ETA on the CD’s arrival would be possible within seven days – still yet to hear anything, and so today/tomorrow will be spent chasing those responsible.

More news as soon as I have it, of course…

Time for a respectful tip of the hat to Shimotsukei for one of the finest sets so far this year. As you’d expect, Shimotsukei covers all the TYFTH bases from twisted synths to melancholy, moving between Japanese and Finnish sounds with some very high quality mixing.

The set fits a huge amount into two hours, but the careful arrangement of Hase and Pain on Creation tracks was what first caught my ear – the two of them really are leagues ahead when it comes to the filters we all love. The problem then becomes how to blend their tracks with the rest, and the first third of the set does a superb job of running through NRGetic Romancer friendly NRG in as smooth a style as you’ve ever heard. I often wince when I hear promos being shoehorned into a set for reputation’s sake, but well played Shimotsukei on the use of Disintegration – that combo with Eternal Cannon is one of the moments of the set, and more than worth waiting for.

In some ways it’s a shame the set isn’t shorter/split in two for these sections to be completely self-contained, as the move into the second half features some great old and new selections but lacks some of the smoothness of the opening. Often comes with the territory when mixing freeform, but there are still some very nice moments, like an especially ferocious combination between Freeform Mercury and Silver Cube.

A look at the tracklist should be enough for most TYFTH readers, but as in all the best sets, the transitions add a lot to the atmosphere and make this far more than just a roll call of classics and promos.