Finnish

Massive congrats to Dyzphazia for winning a place on the lineup at the next Hardcore ‘Til I Die, where he’ll be representing freeform alongside some very big names. His winning set submission is now online, and you can immediately see why it convinced the judges – enough uplifting, dancefloor freeform to excite a UK crowd, with some surprises along the way to a glorious, harder finale of Rx’s Eternal Cannon remix, Gozenzeuna and al Megiddo.

Another milestone for Dyzphazia, and I’m sure he’ll be representing the scene in fine style with some tasty selection and typically quality mixing. Huge news, then, and hopefully the UK Horsers will be out in force to support one of their own.

I’ve been keeping an interested eye on Sky Dragon’s productions for a long time now, and so I was very excited to see him in the lineup for round 19 of Freeformaniacs. Happily his set has lived up to expectations, and is a lovely example of (mostly) deeper melodies and well-considered mixing.

Liquid Moon is such a nice choice to set the early tone, and I really, really enjoyed the blend into Code of Silence – something about the two playing together adds a sad note to the hard trance melodies of LM. There’s a nice, careful key change into Celestia too, and while Ambient Angels wouldn’t normally be my kind of track, it works superbly here as a bridge between Nightingale and Lightshaft.

The final section will probably appeal more to the UK freeform brigade, but Solar Summon takes things back to the deeper atmospheres of earlier in the set and is a more than fitting finale.

A great mix from Sky Dragon, and it’s so encouraging to see some (relatively) new DJs approaching their sets with this much thought, and an obvious feel for how melodies and atmospheres can blend together.

01. 2 Raverz – Into My World (T-Forces Remix)
02. Sam One – Liquid Moon
03. DJ Rx – Code of Silence
04. Aryx – Celestia
05. Sky Dragon – Nightingale [Demo]
06. Gammer – Ambient Angels
07. Grimsoul – Lightshaft
08. Oli G – Jasmine (Ephexis & Helikaon Remix)
09. JD-Kid – Unforgettable
10. K90 – Red Snapper (Metrix Remix)
11. Gammer – Unforgettable Hope (Douglas Remix)
12. Vyral XIII – Solar Summon

The world and her husband must have heard this news by now, but it’s worth repeating anyway – Alek Szahala will be making his first appearance at a Japanese event for 7 (!) years, headlining the next edition of CODEX.

10 Years of FINRG was the last time I saw an Alek set, while for most of the Japanese crew this will be the first chance since 2008’s NRGetic Romancer. Once again, enormous respect to Raqhow for all his hard work – if anything was going to bring more Romancer ravers back to the world of NRG and freeform it’s a booking of this quality.

There’s already a massive buzz around the scene here, and I can’t wait for what’s sure to be an amazing event. Keep an eye on the Facebook event page for more news, but for now here’s the lineup information:

“Twisted synth x Acid x Hoover”
/_/_/ Freeform Hardcore , HardNRG , Harddance , and more!! /_/_/

Place : R-Lounge Shibuya 6F

START : 2015 / 05 / 02 (Sat) 13:00 ~

Door:2500YEN(+1Drink) W/F or Guest :2000YEN(+1Drink)

/_/_/ Special Guest Live PA/_/_/
Alek Száhala from Finland (FINRG Recordings)

/_/_/ Special Guest DJ/_/_/
GULD (NRGeticRomancer)

/_/_/ DJs/_/_/
raqhow (CODEX / Freeform Bros.)
NONAKA+CHIN (SPREEMO / Freeform Bros)
Le Dos-on (Splash Energy/Relentless)
PlasmaDancer (FINRG Recordings / NRGeticRomancer)
Alabaster (Cradle to Grave)
Asahi ( Karma-業- )

/_/_/ VJs /_/_/

VJ ALE (RisingGENERATION / deeepa)
Manabirds (RisingGENERATION / iNSRiRE)

/_/_/ Photo /_/_/
Mizuho

Both sets from the recent ‘Turbo Deluxe’ edition of the Smiling Corpse podcast are now online, and can be downloaded here and here.

It’s just the kind of two hours you would hope for, with a brilliant set from Olly Addictive setting things off on the right foot – that first 25 minutes or so is spot on with the dark aggression, while the second half rattles through some classics and Smiling Corpse promos. Re-form’s side of things is a shorter set with some surprises at the start, followed by that familiar, effective combo of a real oldie or two and the biggest tunes from the past few years.

Both highly recommended sets, and they’re also listenable in a very nicely presented YouTube format.

It looks like the very long-awaited Smiling Corpse 002 is arriving over the horizon, and most of you will already have enjoyed the impressive collection of clips on the label’s SoundCloud. Blender’s Illogical really caught my ear, a track from back in the day finally getting a well-deserved release.

One of the darkest tracks revealed so far, it never fails to bring back memories of the peerless NRGetic Romancer ravers going at it in Studio Cube, which is most definitely a compliment. The only possible criticism is the lack of ‘crispness’ in comparison with some of the other tunes on the album, but frankly I prefer a bit of grit in my NRG and with some intelligent track selection it wouldn’t cause DJs any trouble at all.

Smiling Corpse was back with a ‘Turbo’ edition of the Dead Happy podcast last month, with Re-form joining host Olly Addictive.

Sadly I had to make a spur-of-the-moment trip to the UK and was away for 10 days (long story), missing both the show and various facebook shenanigans. Not to worry though – the sets will be online soon, and thanks to Olly Addictive we have the all-clear to repost an interesting little interview with Re-form’s Lasse.

The non-facebook brigade will hopefully appreciate the repost, while the guys deserve a respectful tip of the hat for a very kind mention of TYFTH.

——-

– Hi Lasse, firstly thank you for taking the time to answer some questions for us! To begin with, what were your main inspirations before you started writing music?

When I started writing my own electronic music I was pretty young, something like 12 years old. At the time my main inspirations were definitely Blümchen and Scooter with their kicking happy hardcore tunes. Later on, after we had founded Re-form with Antti in 2001 we got interested in writing harder and darker tunes, and that’s all thanks to LAB 4 which was the first true inspiration for us to write hard nrg and freeform tracks.

– Have you ever considered producing an artist album?

Definitely yes. Someday it would be a real dream come true to produce a full length artist album, but we’ll have to see if it’s ever going to happen. Hopefully that will happen one day in the future. Never say never.

– What do you think the freeform scene is lacking at the moment?

Of course it would be always awesome to see more new names from around the world on the scene. There’s never enough freeform in this world, right? I also think that at the moment the scene is missing more unique sounding artists than before. That’s why I would love to see more new names with their new and fresh sound.

– What are your views on Plasmadancer’s blog, “Thank You for the Horse”?

I have followed “Thank You for the Horse” blog from its early days and it’s really great to see how Plasmadancer keeps his blog running with huge enthusiasm and shares his love for freeform with the whole international scene. If someone doesn’t know what freeform is, my first guide is to get the guy reading and listening the stuff from “Thank You for the Horse”. Real professional work there.

– Of all the Re-form tracks that have been produced, what is your favourite and why?

It must be ‘Schizophrenic’. It represents the good and old original sound of Re-form with the psychedelic atmosphere, sick melodies and speed.

– What does FINRG mean to you?
As a concept FINRG means to me awesome music with great emotions and sometimes even some kind of special lifestyle. That’s what it’s all about.

– And finally, how do you see freeform evolving in the future?

I think freeform will reach, touch and inspire more and more people in the future. Hopefully it will be close to big audience hearts as it’s for us now. As we use to say, freeform will never die!

 

Anyone who missed Morita Yuuhei’s Freeformaniacs debut at the end of last month really has to give this a listen – one of the most interesting sets I’ve heard in quite a while.

The tracklist (kept secret for now) contains a few surprises and lives up to exactly what you’d hope from young Morita, with a superb balance between some superior melodic tracks and the nastier filters. Standout features of the set are some impressively long connections that often leap in at surprising moments, and an excellent increase in bpm from NRG up to full-on speedcore.

That the set keeps its identity through all this is the sign of a quality DJ – Morita is definitely one to watch this year, and after such a great start you wouldn’t bet against an event appearance before the end of 2015.

Time for today’s final post – the now-traditional look back at my favourite sets of 2014. I’ve actually checked out a lot of mixes this year (far more than you’ve seen here, in fact), but in all honesty it’s been a bit of a thin year for sets that really fit the increasingly-picky TYFTH bill.

As always, respect and thanks go to all the DJs supporting our little corner of the freeform scene. This year it has been especially nice to hear a number of well-constructed, ’emotional’ sets, a necessary counterbalance to the ferocious, melodic freeform we’ve heard a lot of in 2014.

My picks are below, but feel free to take to the comments with your own choices.

No. 3

Shimotsukei – Hardcore Summer Bash 2014 Mix

Shimotsukei’s excellent set is the place to find this year’s best transitions, with some creative selection and very original use of some oldies. Other track choices might feel a little out of place, but the overall atmosphere and progression to the high-bpm second half is top class.

No.2

Nomic – Freeformaniacs Round 14

Following his superb efforts in 2013, Nomic goes to the next level by combining his deeper recent tracks with the harsh, angry sounds of the Nu-Energy and FINRG years. The master of melancholy and aggression strikes again then, and all as solidly-mixed as we’ve come to expect.

No.1

Hellfury – Shin No Noir IX – Soul Abyss

This set is a another lesson in how to maintain an atmosphere, as Hellfury combines psy and pianos for a beautifully consistent hour of thoughtful freeform. Crucially supported by some quality track connections, this was my favourite set of the year.

Honourable mentions: Guld, Pearsall, Cuedy, Dyzphazia

Well that’s it – thanks as always to everyone for the support in 2014, it’s massively appreciated. The first post of 2015 will be a roundup of the Japanese scene’s favourite tracks, but the main event in January will definitely be the announcement of major (I repeat, major) changes to TYFTH. Have a Happy New Year then, and I’ll see you next month.

Electronica Exposed’s Electromotive sublabel has spruced up 2014’s release list in fine style with a few unreleased tracks, including a freshly mixed-down version of Carbon Based’s Maximum remix. You really can’t get much better than ‘old school’ FINRG with modern production values, and this release gets very close to that ideal.

Check the Electromotive site for a wav or mp3 download, along with more tracks that appeared during December – the standout being a previously-unreleased mix of Pain on Creation’s Second Death.

This upcoming (29th December) collaboration release between Lucky Lotus and Touitsu Recordings is going all-out for variety, with everything from goa to dubstep, via twee Japanese vocals and gabber. Freeform’s what we’re here for though, and across the three releases  (‘Day One’ is up above) there are top quality tracks from Nomic, Evolutionize and an interesting effort from Harrs.