UK

I’ve been keeping an interested eye on Sky Dragon’s productions for a long time now, and so I was very excited to see him in the lineup for round 19 of Freeformaniacs. Happily his set has lived up to expectations, and is a lovely example of (mostly) deeper melodies and well-considered mixing.

Liquid Moon is such a nice choice to set the early tone, and I really, really enjoyed the blend into Code of Silence – something about the two playing together adds a sad note to the hard trance melodies of LM. There’s a nice, careful key change into Celestia too, and while Ambient Angels wouldn’t normally be my kind of track, it works superbly here as a bridge between Nightingale and Lightshaft.

The final section will probably appeal more to the UK freeform brigade, but Solar Summon takes things back to the deeper atmospheres of earlier in the set and is a more than fitting finale.

A great mix from Sky Dragon, and it’s so encouraging to see some (relatively) new DJs approaching their sets with this much thought, and an obvious feel for how melodies and atmospheres can blend together.

01. 2 Raverz – Into My World (T-Forces Remix)
02. Sam One – Liquid Moon
03. DJ Rx – Code of Silence
04. Aryx – Celestia
05. Sky Dragon – Nightingale [Demo]
06. Gammer – Ambient Angels
07. Grimsoul – Lightshaft
08. Oli G – Jasmine (Ephexis & Helikaon Remix)
09. JD-Kid – Unforgettable
10. K90 – Red Snapper (Metrix Remix)
11. Gammer – Unforgettable Hope (Douglas Remix)
12. Vyral XIII – Solar Summon

Far and away the best set I’ve heard this year isn’t actually freeform, but a masterclass in jungle selection from Pearsall that you simply have to check out. Harking back to the early-to-mid-nineties golden age of Dreamscape and Helter Skelter, Ellis Dee and Grooverider, this 94 minute set is Pearsall on top, top form.

It’s one thing to put together a tracklist of massive classics and lesser-known tunes, and then quite another to blend them this well – the best jungle sets always give me the impression of knife-edge, organised chaos, and what a good demonstration this is. Props to Pearsall for some top-drawer mixing, but also the set’s progression, moving from some of my favourite chopped up breaks to the amen-focused main section of the set. The climax also has some inspired selections, Music Takes Me and a glorious remake of Tango and Fallout’s Revelations ending the mix in ecstatic style.

Pearsall’s typically thoughtful Sonicrampage post confirms my first impressions, that such a complex set must have taken a heck of a lot of practice and pre-planning, and after a couple of weeks on constant rotation I can confirm it more than stands up to multiple listens. Highly, highly recommended.

Both sets from the recent ‘Turbo Deluxe’ edition of the Smiling Corpse podcast are now online, and can be downloaded here and here.

It’s just the kind of two hours you would hope for, with a brilliant set from Olly Addictive setting things off on the right foot – that first 25 minutes or so is spot on with the dark aggression, while the second half rattles through some classics and Smiling Corpse promos. Re-form’s side of things is a shorter set with some surprises at the start, followed by that familiar, effective combo of a real oldie or two and the biggest tunes from the past few years.

Both highly recommended sets, and they’re also listenable in a very nicely presented YouTube format.

It looks like the very long-awaited Smiling Corpse 002 is arriving over the horizon, and most of you will already have enjoyed the impressive collection of clips on the label’s SoundCloud. Blender’s Illogical really caught my ear, a track from back in the day finally getting a well-deserved release.

One of the darkest tracks revealed so far, it never fails to bring back memories of the peerless NRGetic Romancer ravers going at it in Studio Cube, which is most definitely a compliment. The only possible criticism is the lack of ‘crispness’ in comparison with some of the other tunes on the album, but frankly I prefer a bit of grit in my NRG and with some intelligent track selection it wouldn’t cause DJs any trouble at all.

Smiling Corpse was back with a ‘Turbo’ edition of the Dead Happy podcast last month, with Re-form joining host Olly Addictive.

Sadly I had to make a spur-of-the-moment trip to the UK and was away for 10 days (long story), missing both the show and various facebook shenanigans. Not to worry though – the sets will be online soon, and thanks to Olly Addictive we have the all-clear to repost an interesting little interview with Re-form’s Lasse.

The non-facebook brigade will hopefully appreciate the repost, while the guys deserve a respectful tip of the hat for a very kind mention of TYFTH.

——-

– Hi Lasse, firstly thank you for taking the time to answer some questions for us! To begin with, what were your main inspirations before you started writing music?

When I started writing my own electronic music I was pretty young, something like 12 years old. At the time my main inspirations were definitely Blümchen and Scooter with their kicking happy hardcore tunes. Later on, after we had founded Re-form with Antti in 2001 we got interested in writing harder and darker tunes, and that’s all thanks to LAB 4 which was the first true inspiration for us to write hard nrg and freeform tracks.

– Have you ever considered producing an artist album?

Definitely yes. Someday it would be a real dream come true to produce a full length artist album, but we’ll have to see if it’s ever going to happen. Hopefully that will happen one day in the future. Never say never.

– What do you think the freeform scene is lacking at the moment?

Of course it would be always awesome to see more new names from around the world on the scene. There’s never enough freeform in this world, right? I also think that at the moment the scene is missing more unique sounding artists than before. That’s why I would love to see more new names with their new and fresh sound.

– What are your views on Plasmadancer’s blog, “Thank You for the Horse”?

I have followed “Thank You for the Horse” blog from its early days and it’s really great to see how Plasmadancer keeps his blog running with huge enthusiasm and shares his love for freeform with the whole international scene. If someone doesn’t know what freeform is, my first guide is to get the guy reading and listening the stuff from “Thank You for the Horse”. Real professional work there.

– Of all the Re-form tracks that have been produced, what is your favourite and why?

It must be ‘Schizophrenic’. It represents the good and old original sound of Re-form with the psychedelic atmosphere, sick melodies and speed.

– What does FINRG mean to you?
As a concept FINRG means to me awesome music with great emotions and sometimes even some kind of special lifestyle. That’s what it’s all about.

– And finally, how do you see freeform evolving in the future?

I think freeform will reach, touch and inspire more and more people in the future. Hopefully it will be close to big audience hearts as it’s for us now. As we use to say, freeform will never die!

 

Time for today’s final post – the now-traditional look back at my favourite sets of 2014. I’ve actually checked out a lot of mixes this year (far more than you’ve seen here, in fact), but in all honesty it’s been a bit of a thin year for sets that really fit the increasingly-picky TYFTH bill.

As always, respect and thanks go to all the DJs supporting our little corner of the freeform scene. This year it has been especially nice to hear a number of well-constructed, ’emotional’ sets, a necessary counterbalance to the ferocious, melodic freeform we’ve heard a lot of in 2014.

My picks are below, but feel free to take to the comments with your own choices.

No. 3

Shimotsukei – Hardcore Summer Bash 2014 Mix

Shimotsukei’s excellent set is the place to find this year’s best transitions, with some creative selection and very original use of some oldies. Other track choices might feel a little out of place, but the overall atmosphere and progression to the high-bpm second half is top class.

No.2

Nomic – Freeformaniacs Round 14

Following his superb efforts in 2013, Nomic goes to the next level by combining his deeper recent tracks with the harsh, angry sounds of the Nu-Energy and FINRG years. The master of melancholy and aggression strikes again then, and all as solidly-mixed as we’ve come to expect.

No.1

Hellfury – Shin No Noir IX – Soul Abyss

This set is a another lesson in how to maintain an atmosphere, as Hellfury combines psy and pianos for a beautifully consistent hour of thoughtful freeform. Crucially supported by some quality track connections, this was my favourite set of the year.

Honourable mentions: Guld, Pearsall, Cuedy, Dyzphazia

Well that’s it – thanks as always to everyone for the support in 2014, it’s massively appreciated. The first post of 2015 will be a roundup of the Japanese scene’s favourite tracks, but the main event in January will definitely be the announcement of major (I repeat, major) changes to TYFTH. Have a Happy New Year then, and I’ll see you next month.

Electronica Exposed’s Electromotive sublabel has spruced up 2014’s release list in fine style with a few unreleased tracks, including a freshly mixed-down version of Carbon Based’s Maximum remix. You really can’t get much better than ‘old school’ FINRG with modern production values, and this release gets very close to that ideal.

Check the Electromotive site for a wav or mp3 download, along with more tracks that appeared during December – the standout being a previously-unreleased mix of Pain on Creation’s Second Death.

Time for a look back at last month’s CODEX, definitely one of the year’s best events for freeform. Raqhow is going beyond the call of duty to keep up momentum, and so it’s nice to see more ravers taking notice of his hard work. This time of course the guests were Thumpa and Technorch, while the slight improvement in crowd numbers made for a quality atmosphere. Raq has coincidentally just uploaded his own video report, which you can take a look at above.

Le Dos-on opened the event with an absolutely brilliant warm-up set – starting with Carbon Based’s Dark Side (Intro Mix), things progressed through hard dance and NRG up to a nicely midrange freeform speed. Continuing the top-level mixing of his past CODEX sets, this really was something pretty special. The video below catches a snippet of Fury Theme, toward the end of the set.

Alabaster was up next, playing some uplifing, UK-styled freeform mixed in his trademark considered style. The thin crowd numbers at this stage didn’t give him much to work with, but the set itself was very well put together. As is traditional these days, he closed out the set with Fairytale – this time followed by the always-entertaining Arkitech remix of Alanamra.

There was more UK freeform from NONAKA+CHIN, but with a typical harder undercurrent of Re-form and Alek Szahala that always makes for a surprise or two. A good example is my video below – expecting to hear Comet Catcher played to the end? In leaps Solution and Ephexis’ Requiem to take things in a totally different direction. Definitely a good set for the almost-halfway point of the event, and followed by Technorch’s unique style.

Technorch played a very nostalgic selection of older hardcore and trancecore, including some of his own material. No Gothic System sadly, and not as hard as I remember from his THC appearances, but a well-mixed departure that made for a distinctive hour in its own right, refreshing the crowd for the final few sets.

With the crowd warming up nicely, Thumpa hit just the right note with a real something-for-everyone set. The main sound was UK-styled, but there were some welcome nods to the deeper side, including a lovely little sequence of alternating Alek Szahala-Aryx tracks. A very good set then, and keeping the variety up for the whole hour meant that the crowd stayed with him to the very end.

Apologies for the lack of video around this point – I had retired to the background for a quiet moment or two, as I didn’t feel quite as focused as expected. Seems as though chanelling memories of 10 Years of FINRG usually does the trick, and so I was definitely up for it by the time Thumpa played his last track.

Going on past CODEX events and the guests for this instalment, I decided not to worry about uplifting, melodic sounds, and instead concentrate on a real TYFTH almost-hour of darker, melancholy tracks. Worth mentioning that although these days I treat event sets as another recorded ‘studio’ mix in terms of preparation, I was initially so stuck for inspiration that I wasted time cobbling together an intro edit of one of my own unfinished tracks (!). Obviously a terrible idea, and so I instead went for the slightly better option of Vengeance 2007 to start, splitting the set into ‘dark psychedelic’, ‘dark aggressive’ and ‘dark melancholy’ sections.

Thanks to Soham we have a couple of nice (if muffled) videos, showing Vengeance and then The Game / Symphony for the Devil:

A big, big thanks goes to the CODEX crowd for sticking with the slightly different style, and a TYFTH gold star to the sizeable group of ravers who really seemed to know their darker tracks. It’s extra rewarding to see a crowd react well to the stuff I spend so much time arranging beforehand, while it was also a nice confidence boost to pull off some especially difficult connections. I won’t be adding the full tracklist here as the best parts are already ‘reserved’ for use in future recorded mixes, but I might play the set one more time on ustream.

Final, massive thanks go to Thumpa for lending me use of his HD-25’s after I left mine at home – trying to improvise with a different brand during the soundcheck didn’t go well at all.

Raqhow played the final set alongside Le Dos-on, a best-of-both-worlds way to open and start the event with a Le Dos-on set. They work very well together and have similar taste in tunes – the hard, melodic sound of modern FINRG combined with some older Japanese tracks. Ending as usual with Lacrima, there followed a raffle for Rebuild albums and t-shirts, before the close of another successful event. 2015 is looking very positive for CODEX, as the lineups and timetabling seem to have found a sweet spot, while crowd numbers and awareness continue to grow.

For more photos from the event, take a look at photographer Mizuho’s Flickr gallery.

Alchemiist and J-Mx’s wild new track is part of the long-awaited Smiling Corpse 002, and bodes very well for the rest of the compilation. A nice mix of the guys’ styles, Escape Velocity really reminds me of the best Hybridize tracks that nailed the ‘freeform + trance’ subgenre. Definitely one to look forward to, but in the meantime there are plenty more 002 previews appearing on the Smiling Corpse SoundCloud.

After Shimotsukei’s Hardcore Summer Bash 2014, let’s keep the standards high with a look at Cuedy’s latest Freeformaniacs mix. You should know what to expect from Cuedy by now – plenty of deep melodies, some next level transitions and a nice variety of old and new.

The first half is as good as I’ve heard for quite some time, with a nice darker element balancing out the melodies and some brilliant connections. Blood Sacrifice isn’t my favourite Betwixt track, but that blend into Human Fraility gets better each time you hear it. Also congrats to Cuedy for a brilliant use of the Yksisarvinen remix – it always seems to awkwardly stand out in other sets I’ve heard, but here it’s a lovely progression after Icy Clouds

The second half of the set seems to lose some momentum, but that might just be the lack of tunes that really appeal to me. Quality choice of finale with Tendrils of Reality though, and it does seem as though Morita yuuhei’s other melodic freeform tracks have plenty of mix potential.

Another recommended hour from Cuedy then, and thanks to the man himself for the tracklist you see below.

01. Epyx & Cyrez – 4th Dimension
02. Alek Szahala – Icy Clouds
03. Le Dos-On – Yksisarvinen (Qygen Remix)
04. Evolutionize – The Second Renaissanse
05. Betwixt & Between – Blood Sacrifice
06. Morita Yuuhei – Human Frailty
07. Suge – Yabarekabare
08. Morita Yuuhei – Xiendealice
09. Nomic – Suicide Machine
10. Pearsall – Dreaming of Berlin (Le Dos-on Remix)
11. Nightforce – Symphony For The Devil (The Virus Escaped)
12. Lost Soul – Warlock
13. Morita Yuuhei – Astrics
14. Wyrm – Tendrils Of Reality (Qygen Remix)