Mixes

Sorry about the late start to the year – an especially busy/stressful January has meant that a few posts haven’t quite made it to the fully-written stage, but now things are calming down and the Top 3 Tracks of 2015 will be here in the next couple of days, along with a roundup of 2015 mixes. Lots of compilation stuff has been going on too, and the next week will be an important one. More on that soon then, but rest assured I’m doing my best.

In the meantime, let’s reach for one of TYFTH’s specialist subjects – misty-eyed nostalgic looks at bygone times. I’ve talked before about how much I miss Tokyo’s Studio Cube (home of NRGetic Romancer, Tokyo Hardcore Construction, and plenty of other harder/psychedelic events), and it only takes a quick YouTube rummage to find some examples that bring back lots of memories and atmosphere.

At the top of this post we Decchi doing his thing at THC, surrounded by plenty of the usual suspects. This video’s a brilliant example of what Cube was like during any big event, but happily Decchi himself and plenty of the other dancing crew here can still be spotted at harder events around Tokyo.

Next here’s another typical example of Cube’s atmosphere – Yumi and Soham with some coordinated glowing, during what sounds like one of Cogi’s sets.

Of course Cube was the home of Betwixt & Between, and a look back at the club wouldn’t be complete without him. Especially in the days of his hannya mask, stepping onto the main floor during one of Betwixt’s sets was like walking into another dimension. Here’s one of my old videos, taken from up on the balcony.

This THC preview starts with a nice guided tour of Studio Cube, as well as featuring some giants of the scene. From Betwixt to Lunch and Kanon, the lineups were always impressive – and a special mention of LALA, one of my favourite Tokyo DJs. He’s still active, and his mixcloud has some good examples of his oldskool gabber/hardcore sets.

Hard not to mention the classic NRGetic Romancer DVD in a post about Studio Cube, so here it is one more time.

Finally, Cube will of course be extra special to me as the place I played my first club set. Behold a fresh-faced me in 2008, on my debut at Hell’s Gate – note the awe-inspiring stage presence and the wipe of some nervous sweaty palms before the next transition.

I’m not sure we’ll ever see these sorts of atmospheres again, but R-Lounge is forging a decent harder-event reputation these days alongside the other Tokyo staples. I’ll try to get back into the habit of taking video, so we have more memories to bask in a few years from now…

Right then, some apologies are in order – the traditional ‘Top 3 Tracks’ is on its way, but what with one thing and another I haven’t given those involved anywhere near enough time to make their choices. It’ll be coming asap then, along with my Top 3 mixes (I have a couple I want to check out before I make my final choice).

The next apology is In Praise of Shadows related – I’m now all too understanding of the Watchtower crew and their perpetually delayed third release (out now though, of course). The design side is taking far longer than expected, and the lack of logo means 2015 won’t be ending with the triumphant ‘real announcement’ I had in mind. On the positive side, pretty much all aspects of the release are in the works or already complete, and it’ll just need a few weeks of concerted effort for the compilation to reach its final state.

In the meantime there has been a nice development on the licensing front, meaning that a bootleg track will be appearing on the mixed CD as a fully licensed tune. Wish I could say more, but there’ll be more on that and some CD1 track previews next month.

As a little expression of thanks for the support over the past year, then, I’ve decided to upload a promo set I put together last year at the request of an event in Asia. It was enough to get me a booking, but Bureaucratic Sod’s Law struck – a delayed Japanese visa renewal meant I was unable to leave the country on that very weekend.

Anyway, the set is intentionally a very short one, to show how NRG and slowed-down freeform could easily find a home at Industrial or Goth events. Among my own sets it has been one of my most-played for a while now, possibly thanks to the presence of a few tunes I don’t often get the chance to hear/use. More apologies in advance for the pitched-down Alek tracks, but personally I think they fit in quite nicely as a more demented finale (which in hindsight I could/should have used to bump up the bpm).

The tracklist looks like this:

01. Beati Mortui – Let the Funeral Begin (Proteus remix)
02. Lab 4 – Requiem (Metatron Hard mix)
03. Epyx & Cyrez – Risk Addiction (Substanced remix)
04. Hase – Brionac
05. Lab 4 – Hellboy
06. Inugami, Lunch, Betwixt & Between – Reverend Recital
07. Alek Szahala – Maruuk
08. Alek Szahala – Voices of Babylon

Finally, special thanks to everyone for the huge support this year. It’s been pretty special to see the response to the label news so far, and I think we can safely say that 2016 is going to be an exciting one for TYFTH. Happy New Year to all, and I’ll be back with a vengeance next month.

The original schedule has taken a little bit of a hit, so I thought it time for an update to let you know what’s going on. With so many people/companies involved it was inevitable that some admin issues would rear their heads, and so it’s proved this month – nothing major at all, but things haven’t progressed quite as quickly as I would have hoped.

Most importantly the tracks are almost definitely at the ‘final product’ stage of mastering, so no problems there. The delays have mainly been in the design department, but they’re mostly sorted and should mean a more ‘official’ presence on SoundCloud and all the usual social media suspects before the end of the month. Although the CD2 mix was close to complete at the start of December, I decided to use the limbo-time to look into licensing some other bits and pieces that would comfortably get the set up to the hour mark, and I’m continuing to tinker with it while everything else settles into place.

Still coming along very nicely though, and next month remains a very realistic goal for production. Look out for the next update, where we’ll hopefully be taking a first look at the label logo.

There’s a case to be made (and someone made it to me the other day) that Qygen is the most melodically advanced producer in freeform these days, and his tribute to Betwixt & Between is another one of those tracks that rewards repeated listening. Qygen has just added an alternative version to his SoundCloud – not a massive difference, but the second half’s ‘heavy’ kick is really effective.

On the subject of Qygen, a belated shout to Hellfury for the fine work he did on the recent(ish) Smiling Corpse and Freeformatted promo set. I finally checked it out a couple of weeks ago, and the mixing is top drawer – always hard to work with a restrictive tracklist and still avoid some clangs, but this one is very smooth. Obviously it’s well worth checking out for new material from Exemia and some previews of Evolutionize’s very promising album, but also some incredible stuff from Qygen’s work on the Blue Revolver OST. Some of the finest freeform of the year, no doubt.

It turns out that Orphic’s excellent Freeformaniacs set was actually my second favourite of round 20 – a belated listen to Solvynt’s hour of NRG and freeform quickly sent it to the top of this batch of sets.

Frankly if you’re reading TYFTH (and you are), then this is sure to be a hugely enjoyable listen with many of our favourite tunes alongside some new and surprising tunes. Credit to Solvynt for doing a fine job with the atmosphere – consistently dark with enough variation and melody to keep things interesting. The mixing itself ranges from solid to really exciting (no clashing keys here, crucially), and my personal favourite was that quality switch from Desolated Dreams to Inquisition. The old faithful of Maruuk to Voices of Babylon is also in there, one I’ve used many a time myself.

This being Solvynt, you be right to expect some rare or unusual tracks, and to his huge credit they’re nicely incorporated into the set. The great use of This Moment as an intro sets this off in the right way, but listen out too for Guld’s LUCID and especially Nomic’s brand new Personal Hater.

Tracklist-wise, I don’t think I’ve seen a set so close to my own tastes for a long time, and I expect a lot of Horsers will feel the same way. Very highly recommended.

00. Anomic – This Moment [Unreleased]
01. HASE – 法界 [Khaotic Dimension]
02. DJ MANIK – LUCID (GULD remix) [Nrgetic Romancer]
03. Betwixt & Between – Self Extortion [Unreleased]
04. Epyx & Cyrez meets Heathen – All of Us [E&C Self-Released]
05. Nomic – Desolated Dreams [Unreleased]
06. Nemes & Blender – Inquisition (Blender remix) [Unreleased]
07. Alek Szahala – Maruuk [Finrg]
08. Alek Szahala – Voices of Babylon [Finrg]
09. Pain on Creation & Fea – Unconsciousness [Electronica Exposed]
11. Twisted Freq – Horsehead [Electronica Exposed]
12. Nomic – Personal Hater(preview) [Unreleased]

 

It’s already been a while since the big announcement, so it’s maybe time for an update on what’s been going on this month.

The bad news is that a release next month was predictably ambitious, and so January 2016 is now the target. Though the tracks have been mastered, graphic design and production of the CDs is going to take a fair while, and it’s sure to be another big step into the unkown as I prepare to start taking orders. I’m not brave enough to set a firm date yet, then, but towards end of January sounds doable at the moment.

Another reason I’m busy right now is that there’ll actually be a second CD in the first release, mixed by yours truly. Aiming high again, the other inspiration for the project was one of my all-time favourite albums, the original Logical Progression from Good Looking Records. The first CD (or cassette, in my case) was an unmixed compilation of forward-thinking tunes, while the second featured a mix by Bukem himself, an amazing set that showed what a journey an hour of intelligent jungle could be.

The mixed CD will (hopefully) do something similar, then, as in my opinion a selection of tracks in isolation only tells half the story of a genre like freeform. It will also be a show of solidarity with all the other labels that have supported the scene and our sound over the years, and so for a while now I’ve been busy licensing tracks for use in the mix. The tracklist is almost decided, and I think it’ll be pretty representative of some of our favourite artists and labels over the years. Of course it’s also supposed to serve as an intro to the genre for those who might be just joining in.

Rest easy though, as I wouldn’t dream of expecting people to pay for one of my sets – I’ll absorbing the cost of the CD, and so essentially the eventual price will be for CD 1 alone. Plus I’m working in Japanese yen, and the continuing collapse of the economy here likely means a very reasonable price for most other countries.

My job over the next couple of weeks is to get the set finished, and if the art has been finished up by then we’ll be almost set for production. Please feel free to give me a shout if you have any questions or opinions, and I’ll let you know how it’s all looking in another week or so.

An In Praise of Shadows update will be coming soon, but in the meantime here’s my favourite set from a strong Round 20 of Freeformaniacs. The unfamilar UK freeform sprinkled through the tracklist had me a little worried at first, but Orphic’s is a really solid set of heavy-on-the-filters freeform, built around some quality Finnish selections and nicely matched UK sounds.

The first couple of tunes are a bit of a tentative start, but after that the set really comes into its own with some smooth transitions and a wonderful flow through the filters. Hatral takes the central spot, and pitched-up actually reminds me of the WIP snippet of the Betwixt-only version I heard a long time ago. Thanks to the toughened up kick in Guld’s Watchtower remix, it definitely stands up to the faster freeform on show here. Final respectful shouts to Orphic for the best use of My Sickness I’ve heard for a long time, it’s good to see such a tricky tune getting some play again.

01 Pain on creation – Lush (Epyx & Cyrez Remix)
02 Substanced – Ghost of the future (Alchemiist Remix)
03 Transcend – Let my Wraith
04 Transcend & Midas – Hide & Freq
05 Epyx & Cyrez VS Tyranoid & Strongstream – What Lies Below
06 Pretty Addicted – Fear Myself ( Lost Soul Remix)
07 Guld VS Betwixt & Between – Hatral (Guld 2013 Mix)
08 Alchemiist – Fate
09 Transcend – No Escape
10 Substanced & Alchemiist – Permission to Die
11 Lost Soul – Crazy Light
12 Re-form – My sickness

0114 – 2005 – Betwixt & Between \ Betwixt & Between – Live At Nr.mp3 by Matthew Lancaster on Mixcloud

This is freeform.

It’s almost enough to end the post there – but we first all owe Solvynt a massive thanks for rediscovering Betwixt & Between’s 2005 Live PA, and Matthew Lancaster for the mixcloud upload.

[update: Thanks to DY we now have a downloadable version too – check here for the mp3]

Listening again over the past few days, I’ve been trying to recall the feelings I had a decade ago when the darkness, aggression and eerie, emotional melodies of this set completely changed how I thought about hardcore. Without it I wouldn’t have discovered Alek’s sound either, and nothing from NRG Monogatari to In Praise of Shadows would have happened – it’s no exaggeration, then, to call this a life-changing set.

Those who haven’t heard it before are still in for a real treat. The set is the perfect illustration of Betwixt’s style as he absorbed FINRG influences and took his complex melodies and track structures in a darker direction, and the fact that many of us are still playing these tunes 10 years later really says it all.

1. Betwixt & Between – East of Eden
2. Betwixt & Between – Eternaly
3. Betwixt & Between – Liberation
4. Betwixt & Between – Mirage
5. Betwixt & Between – Reincarnation
6. Alek Szahala – Supriya (Goa Edit)
7. Betwixt & Between – 4321
8. Betwixt & Between – Don’t Stop
9. Betwixt & Between – City of Solitude
10. Betwixt & Between – Disturbed Mind (Live Edit)
11. Betwixt & Between – The Awakening (East of Eden Part2) (Live Edit)

Away from Label News there have been a few things to catch up on lately, including a look back at CODEX6 that’ll be on its way when I have more time. For now though, you should definitely check out Asahi’s rerecorded set from the event, one of his best so far.

It’s quite an unusual one for him in some ways, as he’s made a bit of a name for himself by supporting newer NRG artists as well as melancholy-heavy freeform. This time he started at a high bpm, and rattled through one heck of a freeform tracklist. There were plenty of oldies and NRGetic Romancer anthems (Last of the Mohicans, Dirtier Worlds) as well as the always-wonderful Eternal and a great/unusual opening combo of Pink Magic and Red fraction.

Asahi’s take on harder/psychedelic freeform is always good to hear, with its occasional drift into uplifting Hybridize style, and this one is a must-listen.

01. Alek Szahala – Pink Magic
02. MELL – Red fraction (fictitious remix)
03. Aryx – Nephila
04. Nightforce & Substanced – Operation Stardust
05. Twisted Freq – Dirtier World
06. Alek Szahala – The Last of the Mohicans
07. Raver Rose&Themal Force – Eternal
08. Proteus – Venla
09. Grimsoul – Lightshaft
10. Epyx&Cyrez – Polyhedra08

I was going through some mix folders the other day, and rediscovered an absolute gem of a set from Orfeus that might be of interest to Horsers new and old. Recorded at Senzation Hard in 2005, the tracklist shows off the Finnish sound at one of its highest points, with Carbon Based, Rx and Alek Szahala confidently thrashing out anthem after anthem, colliding with still-played classics like Lemonade Raygun.

The whole set has me longing for the good old days, and any Finnish freeform fan will enjoy a set that includes the likes of Caballo 2004Ultimate Protection, Tuonela, and a fantastic early version of Unconsciousness. Listen out too for the original version of Grimsoul’s Bleed. Titled Painajainen back then, the track lacked the polish of the Hybridize release but really outdoes it with a higher bpm and a better focus on the melancholy. A brilliant tune that I’ve always loved.

A big draw for me though is one of my very favourite Rx tracks – Uprising. Even if it’s a bit rough around the edges by his later standards, it has always reminded me of a ThermalForce track with its filtered madness over a simple (but very effective) melody. It’s tragic that it has since disappeared – I’ve literally spent years watching out for it, but with no luck (even Rx lost the files a long while ago). I live in hope that it’s lurking on a hard drive somewhere and we’ll once again hear it in sets.

An essential set for the FINRG historian, then, especially as Orfeus tends to let most of the tunes play out to their full length. Despite that, there’s no lack of energy, and a real sense that he’s having a brilliant time tearing through these future classics.

I’ve pilfered a tracklist from Orfeus’ original klubitus post, but as the mix itself isn’t present I’ve mediafired it for the time being – if there are any problems with the link, let me know and I’ll arrange something better.

Alek Száhala – Caballo (2004 Edit)
Grimsoul – Painajainen
Pain On Creation – Lush (Carbon Based Rmx)
Grimsoul – Kadotettu Todellisuus
Rx – Uprising
Carbon Based – Ultimate Protection
DOK & Dodgee – Inside
DJ Eclipse – Devastator (Rmx)
Alek Száhala – Solar Hive
Alek Száhala – Dryad Machine
Pain on Creation & Fea – Unconsciousness (First Version)
Rx – Frozen Flame
DJ Fury – Lemonade Raygun (Back Room Mix)
Carbon Based – Tuonela
Phosphor – Back Bass

Paoçala – Aurinko