Mixes

Hardcore Summer Bash 2015 was a great event, but as so often happens when there’s a flood of good sets, some tend to get overlooked. Dyzphazia’s set has been on my radar for ages, and now I’ve finally checked it out it’s most definitely deserving of a mention here.

This is probably the first set for many months that has a tracklist that I’m 100% interested in – if you’re pining for the golden age of FINRG and the wonderful showcase sets we would regularly hear a few years ago, then delay no further and give this one a listen.

These tracks have been around for a long, long time (still sounding as glorious as ever, I’d add), and some rock-solid mixing shows how comfortable Dyzphazia is with a lot of these. There are some gentle shifts from one key to the next to keep the variety up, while hitting the sweet spot between the melancholy melodies and darker tracks.

The whole set is an excellent listen, but the selection of Savage Man coincides with what I think is the smoothest sequence of tunes – following it up with Tindaros and then Fisheye pretty much has it all. A nostalgic trip for most of us, and an excellent primer for anyone else who has joined the scene more recently, this one comes very highly recommended.

Should really have mentioned this by now, but if you missed Alek Szahala’s appearance on Detonation Hard Drive’s Summer Session then you’re in for another treat.

The tracklist is similar at first glance to Alek’s CODEX Live PA, but there are some surprises in the form of a beautiful intro leading into a very trance-styled first track, and the very, very welcome appearance of Ngarnuuk in the wonderful final third of the set.

How in the world I haven’t heard this before I’m not sure, but after Cyrez shared it earlier this week I thought it worth mentioning here too. A year old upload of a 2010 set, this is actually a fantastically nostalgic look back at the state of the scene, as well as a quality run-through of E&C’s influences.

The mixing throughout is excellent, and the first half especially has some glorious transitions between hard dance and NRG, before heading into the freeform. The freeform side also has its moments though, crowned by a glorious final connection between Harder Than U Think and Shine. It’s really interesting to listen to a 2010 set, the era when FINRG’s sound started to see far more influence from younger artists like Substanced, Nightforce and (on the darker side) Epyx & Cyrez and Heathen, while Nomic was gaining momentum once again.

We could definitely feel that shift in Tokyo too, and it was mirrored here as sets became more melodic and darker artists tried heading in different directions. It was still a brilliant time to be listening to/playing freeform though, and there was a distinctly bitter sweet feeling when checking this set out on a recent morning commute.

I had a pleasant surprise the other week when I noticed my Lucky Lotus set included as one of the mixes of the week on New Zealand’s Rinsed Radio Podcast. The other selection was Alchemiist’s Lucky Lotus mix (very well worth checking out, if you haven’t already), so I was definitely in good company.

The whole podcast is very recommended, as after two 30-minute segments of the guest sets, host DJ Orphic plays an hour or so of quality freeform, most of it from Smiling Corpse’s latest release. Big thanks once again to Orphic for the support, and plenty of respect for pushing our sound in that corner of the world.

Suncore – Freeform propaganda by Suncore on Mixcloud

Suncore’s very active at the moment, and I couldn’t resist giving a shout to his most recent set. Typically idiosyncratic, there are a couple of surprising moments combined with the kind of freeform and NRG that TYFTH loves best.

Truth be told I’m not a massive fan of the various versions of Silence a Prayer, but it seems to be quite an anthem these days and works well here as an intro, before a great little sequence of old and new Japanese tracks. Niflheimr is another quality Falchion tune, and the transition into Betwixt & Between’s Stand and Fight works very well. There’s definitely an element of ‘overused promo’ syndrome here though, as the tune outstays its welcome and doesn’t move too smoothly into Phaedra.

Post-Phaedra things go unconventional again, with the bpm suddenly dropping to bring in Hokkai – nothing necessarily wrong with that of course, but the move into Gozenzeuna is a bit sketchy and feels like a missed opportunity. Making up for that is a really nice use of the silent moment towards the end of the track, smoothly bringing in Adagio for Strings’ breakdown. The distinctive atmosphere so far is rounded off well with Betwixt & Between’s Outro, leaving us with a set that has its faults, but also shows some real promise. If Suncore can iron out a few transition quirks, his future (longer?) sets should be really worth looking out for.

01 A.B & Nick235 – Silence A Prayer (Intro Mix)
02 DJ FALCHiON – Niflheimr
03 Betwixt & Between – stand_and_fight
04 Betwixt & Between – Phaedra
05 Hase – Hokkai (Reloop)
06 GULD – Gozenzeuna
07 Alek Szahala – Barbers Adagio for Strings
08 TOTAL DISCOMMUNICATION – Outro

Slowly getting around to some more Lucky Lotus sets, including this one from Shimotsukei that’s been a pretty regular listen for me over the past few weeks. Another Shimotsukei set that really effectively mixes freeform with a few other genres, this is definitely recommended if you’re after something out of the ordinary.

The first third is probably the most conventional, with some hard dance from Ultraform, Adam Lab 4 etc. keeping the melodies straightforward and danceable, before Mermaid signals some familar freeform. Look out for some classic tracks from Druggy’s Acid Rack, then a superb Betwixt & Between sequence of Broken Visage and Hydra.

This is without a doubt the best example so far of Shimotsukei incorporating demented dark psy into his sets, and the transition from Hydra into Breaking Point is very close to seamless. Such a smooth flow seems to make a crucial difference, as this time around I found myself buying into the change in atmosphere much more readily. There’s no let up as the set hurtles into the finale, but it’s a hugely enjoyable ride of the kind only Shimotsukei seems to be creating at the moment.

01. Modulate – Hard & Dirty (A.D.A.M. Lab4 Mix) [Infacted Recordings]
02. Ultraform – Music Is Movin’ [Ultraform Productions KB]
03. Ultraform – Sense Your Mind [Ultraform Productions KB]
04. Alek Száhala – Mermaid [FINRG]
05. Le Dos-on – Benetnasch [Solidbox Records]
06. Ark-Z – lunatic satelite [Druggy’s Acid RacK]
07. LV.4 – Angel dust [Druggy’s Acid RacK]
08. Betwixt & Between – Broken Visage [Cis-Trance/東方カーニバル]
09. Betwixt & Between – Hydra (Long Edit) [Hardcore Tano*C]
10. CinderVOMIT Ft Luuli – Breaking Point [Horrordelic]
11. Junxpunx – Ruten [Osom Music]
12. CinderVOMIT – Distorted Visual Depth Perception [Horrordelic]
13. Junxpunx – Neomeow [Osom Music]

Probably about time for a quick note on my Lucky Lotus set, broadcast a few weeks ago and now up on the FINRG SoundCloud.

I actually put a lot of effort into this one, and hoped to follow up my old (and very melodic) LL mix with something a bit darker. In the end I decided on a dark first half, before a psychedelic midsection and a slightly lighter finale – I’m (occasionally) working on a special set for TYFTH at the moment which’ll be heavy on the melancholy, and so I wanted to keep things energetic this time around.

As is usual these days, you’ll notice that most of the tracks are very old, and even one or two of the connections might be familiar-ish if you’ve listened to some of the more ancient sets listed here. It wasn’t the plan from the outset to use so many oldies, but it’s of course hard to find a similar atmosphere in many modern tracks – it’s a nice feeling to be so familiar with a lot of these tunes, and hopefully that’s reflected in some fairly interesting connections and a flow I’m very happy with.

edit: To add something a bit more informative, a really important part of the first half was Superstition – I’ve always wanted to use it in a set, and the track actually changes key after the intro, which is incredibly useful if you’re going for a smooth sequence of tunes. Pink Magic is another Alek track that does something similar.

I was actually quite pleased with the next part too – I’m not the first or last to try to connect a few psychedelic tracks to Supriya, but this was my best attempt so far, and I really like the progression to Le Dos-on’s Mezame bootleg. Having melodically fumbled my way out of that section, I was looking forward to smoothly progressing things towards the finale. Sadly though, time restraints meant I couldn’t mess around with Mezame experiments for too long, and I decided to switch things up and lead into the Mediterranean Summer – Spatial Healing combination I’ve been sitting on for a while. A shame to let the momentum of the previous 45 minutes trickle away a bit, but there was the silver lining of using Rift in a set for the first time ever.

Apparently there was quite a positive response to the set during the broadcast, and once again a few new listeners seem to have checked out our brand of freeform as a result (if some sudden action on the TYFTH SoundCloud is anything to go by). That was the main objective of course, so huge thanks once again to the Lucky Lotus organisers for another chance to spread the word.

A quick note to draw attention to Hardcore Summer Bash 2015, for which I’m prepping another set. This one will be a special ‘vs’ hour with Guld, and we’re already going all-out to bring some surprises and proper NRGetic Romancer sound to the event.

The timetable won’t be announced for a while yet, but keep an eye on the Facebook event page for now, and of course there’ll be more info up here as and when.

There were some brilliant freeform sets during last weekend’s Lucky Lotus, including this very TYFTH-friendly effort from Solvynt.

The tracklist alone should be enough to convince you, with plenty of harder melodic tunes, but there are some lovely connections that add some extra depth to the set. My personal favourite is the move from The Awakening to Darkside – a famously tricky tune to mix out from, here the combining filters and melodies are really excellent. The rest of the set is very well selected (including TYFTH’s Children), and already has me looking forward to the next Solvynt mix.

I’ll be posting on my own Lucky Lotus set sometime soon, but you can already check it out here.

 

Fortuna into Sylph – that’s what first caught my ear here, but Olly Addictive and Damo’s back to back set also has a fantastic tracklist that makes it well worth checking out.

The selection here is a top example of what can happen when DJs with a knowledge of the UK scene mix things up with their love for the Finnish/Japanese sound. There are lighter moments, but the darker stuff is never far away and the tracklist flows brilliantly without ever needing the transitions to do too much work. The sequence immediately following Fortuna – Sylph is a great example – a series of nicely selected tracks that do a fine job of keeping the atmosphere consistent and the quality level high.

Whether this was an every-other-track style of B2B or Olly and Damo took on one half each, the chaps deserve kudos for a very nice set, and one that should have something for everyone.

01) Milo – Kill You
02) Oli G – Cordelia
03) Shox – State of Mind
04) Grimsoul – Some More
05) Twisted Freq – Innocence
06) Asa & S1 – Cured
07) Stormtrooper – Adrenalin Rush
08) Transcend – The Purification
09) Human Resource – Dominator (Brisk & Ham Remix)
10) Ephexis – Intensify (Greg Peaks & Solution remix)
11) Skampy & Mayhem ft K Complex – Perverted Science
12) Transcend, Cyrax & Iggy – Jungle Hijynx
13) Nomic – Fortuna
14) Aryx – Sylph
15) MHX – Gray Death (Sky Dragon Remix)
16) Alchemiist – Empire
17) Ephexis – Mind Grinder
18) Pain On Creation – Adaptation
19) Ephexis – Quantum Fury
20) Shanty, Tazz & Dodgee – Law of Hardcore
21) Tazz & AMS – Gettin’ Dirty
22) Ruffage & Size – Demonic Rose
23) Le Dos-on – Mental Madness
24) Nomic – You Have A Dream