Japanese

It’s very encouraging to see Hellfury’s continued support for the emotional side of freeform – the first half of his recent Freeformaniacs set is loaded with impressively mixed, long-break heavy tracks and downtempo interludes. The overall atmosphere ticks just about every box for me in terms of what quality freeform needs to be – thoughtful, melancholy, but also aggressive when the time is right.

The interludes here take it to an extreme, however, and it got me wondering what sort of a crowd would go for this in a live environment. I’m convinced there’s a club audience for this kind of break-heavy play style, but maybe somewhere other than the hardcore scene…thoughts for another time maybe, but it’s a very promising direction and I’d love to see Hellfury and others develop it further. Being picky I’d suggest that half-speed downtempo tracks that blend smoothly with the freeform would take it to the next level, but Hellfury’s selections here are a quality start.

The second half of the set is perhaps a nod to the upcoming N.E.M.M. compilation, with far older trancecore/freeform tracks mixed impressively into some newer material from Qygen. The combination works really well, and the energetic shift in tone from the first half opens up the set to even more potential listeners.

Quite the demonstration of how diverse a single set can be, then, and very highly recommended.

Label shenanigans are maybe one instrument too many for the TYFTH one-man band, but the past month has seen a lot of quality mixes and I’ll be highlighting a few when I have the chance.

First up is Cuedy’s recent Freeformaniacs set – an hour of standard-issue TYFTH-friendly tracks (which is a very good thing), punctuated by two or three really nice transitions and a couple of tracklist surprises.

Obvious shouts to Cuedy for starting with Betwixt & Between’s Eternal[l]y, followed by a really good connection in Alchemiist’s Pain remix. The rest of the set alternates between nastier filters and melodic interludes, and I was glad to see that classic tracks were given special attention in terms of transitions – we’ve all been listening to them for so long now, they really should. Eryk Orpheus’ Pyjama Sonata was a nice follow up to Supriya, while Alabaster’s Flamberge was the big surprise of the set. It was the final connection that really got me though, as the slightly chaotic blend of filtered riffs from Xerosis to Super Sonic shows off the older FINRG sound at its finest.

Ok, some good and slightly-less good news in this update – you might have noticed that things have been rather quiet around here recently, but I have been diligently plugging away behind the scenes whenever I’ve had the chance.

There’s a bit of a silver lining to the recent slow down though, as an artist got in touch with another track submission a couple of weeks ago. It’s a superb tune and a very worthy addition that I’m more than happy to find room for. In fact I’ve decided to do things Alabaster-style with CD 2, and so now the mix will be followed by two unmixed tracks. Both are remixes of a couple of classics, and nice counterpoints to the 10 unmixed tunes on CD 1.

You might remember that the graphic design was causing some delays last month, but there has since been some logo action and it’s now going through a few tweaks to decide the final version. Instead I’m to blame for the delay this month, as finalising the mix tracklist has taken longer than expected, obviously delaying the mountain of text that our beleaguered designer will somehow fit onto the digipack.

The tracklist is now 95% decided, but my schedule has meant that practice runs have been very hard to make room for this week. I’m quite happy with it, but would love to squeeze in a couple of different artists before the final recording. Label diversity’s not a problem though, with 7 or 8 represented at the last count, and releases ranging from 2004 to 2015.

The next steps, then, are to get the mix recorded (this week or next), sort out the final version of the liner notes/tracklist, and get both to the designer asap. After that we’re ready for production, so previews and incessant promotion aren’t far away. Thanks for your patience, and of course feel free to get in touch with any questions in the meantime.

Much delayed, but it’s once again time to join the good folk of the Japanese scene for a look back at the finest tunes of last year. Big thanks as always to everyone who took part, and I hope it’s interesting to see what has been catching the ears of producers and DJs in this corner of the freeform world.

Every year I love seeing as many of these lists as possible, so if you have your own idea of a Top 3 then feel free to post it down below for us to compare and contrast. My picks were especially tough, as in all honesty In Praise of Shadows would have totally dominated had it managed to appear in December…

Oh and as there were plenty of unfamiliar (at least to me) tracks in the lists this time, I’ve tried to add a preview/tune link to help out the clueless among us.

GULD (NRGetic Romancer)

1. GULD – Spirits of Saiyan (‘F’ the Reverse)

2. Alek Száhala – Dryad Machine (GULD remix)

3. Hatsune Miku – Senbonzakura (GULD remix)

 

Alabaster (Cradle to Grave)

1. Sharkey & Rikki Arkitech – Quadraphonics (2015 Stem Remaster)

2. Div_ne Inspiration – Show You The Way (CLSM remix)

3. Tom Parr – You’re Shining I’m Dying

 

Hyphen (Splash Energy/Relentless)

1. Transcend – Truth vs Fear

2. Zman & Ted-E – Hong Kong

3. Transcend & Hardform – Deliverance

 

Morita Yuuhei (Illegal Wave)

1. Aryx – Helix

2. James Xavier – Look To The Future

3. Yuki Kajiura – Mezame (Hyphen Bootleg)

 

Raqhow (CODEX/Freeform Bros)

1. Alek Száhala – Megatherium

2. Transcend – Eons

3. Epyx & Cyrez vs Tyranoid/Strongstream – What Lies Below

 

Asahi (Karma-業-)

1. Alek Száhala – The Last of the Mohicans

2. Technikal feat. Rob Tissera – Don’t Say Goodbye

3. Transcend – Mindglow

 

NONAKA+CHIN (Spreemo/Freeform Bros)

1. Douglas – The End of FM

2. Transcend – Eternity

3. Zman & Ted-E – Hong Kong

 

PlasmaDancer (TYFTH/FINRG/NRGetic Romancer)

1. Nomic – Human Race Pt II

2. Blender – Illogical

3. Seileen – Lamento della Sirena (GULD remix)

Sorry about the late start to the year – an especially busy/stressful January has meant that a few posts haven’t quite made it to the fully-written stage, but now things are calming down and the Top 3 Tracks of 2015 will be here in the next couple of days, along with a roundup of 2015 mixes. Lots of compilation stuff has been going on too, and the next week will be an important one. More on that soon then, but rest assured I’m doing my best.

In the meantime, let’s reach for one of TYFTH’s specialist subjects – misty-eyed nostalgic looks at bygone times. I’ve talked before about how much I miss Tokyo’s Studio Cube (home of NRGetic Romancer, Tokyo Hardcore Construction, and plenty of other harder/psychedelic events), and it only takes a quick YouTube rummage to find some examples that bring back lots of memories and atmosphere.

At the top of this post we Decchi doing his thing at THC, surrounded by plenty of the usual suspects. This video’s a brilliant example of what Cube was like during any big event, but happily Decchi himself and plenty of the other dancing crew here can still be spotted at harder events around Tokyo.

Next here’s another typical example of Cube’s atmosphere – Yumi and Soham with some coordinated glowing, during what sounds like one of Cogi’s sets.

Of course Cube was the home of Betwixt & Between, and a look back at the club wouldn’t be complete without him. Especially in the days of his hannya mask, stepping onto the main floor during one of Betwixt’s sets was like walking into another dimension. Here’s one of my old videos, taken from up on the balcony.

This THC preview starts with a nice guided tour of Studio Cube, as well as featuring some giants of the scene. From Betwixt to Lunch and Kanon, the lineups were always impressive – and a special mention of LALA, one of my favourite Tokyo DJs. He’s still active, and his mixcloud has some good examples of his oldskool gabber/hardcore sets.

Hard not to mention the classic NRGetic Romancer DVD in a post about Studio Cube, so here it is one more time.

Finally, Cube will of course be extra special to me as the place I played my first club set. Behold a fresh-faced me in 2008, on my debut at Hell’s Gate – note the awe-inspiring stage presence and the wipe of some nervous sweaty palms before the next transition.

I’m not sure we’ll ever see these sorts of atmospheres again, but R-Lounge is forging a decent harder-event reputation these days alongside the other Tokyo staples. I’ll try to get back into the habit of taking video, so we have more memories to bask in a few years from now…

Right then, some apologies are in order – the traditional ‘Top 3 Tracks’ is on its way, but what with one thing and another I haven’t given those involved anywhere near enough time to make their choices. It’ll be coming asap then, along with my Top 3 mixes (I have a couple I want to check out before I make my final choice).

The next apology is In Praise of Shadows related – I’m now all too understanding of the Watchtower crew and their perpetually delayed third release (out now though, of course). The design side is taking far longer than expected, and the lack of logo means 2015 won’t be ending with the triumphant ‘real announcement’ I had in mind. On the positive side, pretty much all aspects of the release are in the works or already complete, and it’ll just need a few weeks of concerted effort for the compilation to reach its final state.

In the meantime there has been a nice development on the licensing front, meaning that a bootleg track will be appearing on the mixed CD as a fully licensed tune. Wish I could say more, but there’ll be more on that and some CD1 track previews next month.

As a little expression of thanks for the support over the past year, then, I’ve decided to upload a promo set I put together last year at the request of an event in Asia. It was enough to get me a booking, but Bureaucratic Sod’s Law struck – a delayed Japanese visa renewal meant I was unable to leave the country on that very weekend.

Anyway, the set is intentionally a very short one, to show how NRG and slowed-down freeform could easily find a home at Industrial or Goth events. Among my own sets it has been one of my most-played for a while now, possibly thanks to the presence of a few tunes I don’t often get the chance to hear/use. More apologies in advance for the pitched-down Alek tracks, but personally I think they fit in quite nicely as a more demented finale (which in hindsight I could/should have used to bump up the bpm).

The tracklist looks like this:

01. Beati Mortui – Let the Funeral Begin (Proteus remix)
02. Lab 4 – Requiem (Metatron Hard mix)
03. Epyx & Cyrez – Risk Addiction (Substanced remix)
04. Hase – Brionac
05. Lab 4 – Hellboy
06. Inugami, Lunch, Betwixt & Between – Reverend Recital
07. Alek Szahala – Maruuk
08. Alek Szahala – Voices of Babylon

Finally, special thanks to everyone for the huge support this year. It’s been pretty special to see the response to the label news so far, and I think we can safely say that 2016 is going to be an exciting one for TYFTH. Happy New Year to all, and I’ll be back with a vengeance next month.

The original schedule has taken a little bit of a hit, so I thought it time for an update to let you know what’s going on. With so many people/companies involved it was inevitable that some admin issues would rear their heads, and so it’s proved this month – nothing major at all, but things haven’t progressed quite as quickly as I would have hoped.

Most importantly the tracks are almost definitely at the ‘final product’ stage of mastering, so no problems there. The delays have mainly been in the design department, but they’re mostly sorted and should mean a more ‘official’ presence on SoundCloud and all the usual social media suspects before the end of the month. Although the CD2 mix was close to complete at the start of December, I decided to use the limbo-time to look into licensing some other bits and pieces that would comfortably get the set up to the hour mark, and I’m continuing to tinker with it while everything else settles into place.

Still coming along very nicely though, and next month remains a very realistic goal for production. Look out for the next update, where we’ll hopefully be taking a first look at the label logo.

There’s a case to be made (and someone made it to me the other day) that Qygen is the most melodically advanced producer in freeform these days, and his tribute to Betwixt & Between is another one of those tracks that rewards repeated listening. Qygen has just added an alternative version to his SoundCloud – not a massive difference, but the second half’s ‘heavy’ kick is really effective.

On the subject of Qygen, a belated shout to Hellfury for the fine work he did on the recent(ish) Smiling Corpse and Freeformatted promo set. I finally checked it out a couple of weeks ago, and the mixing is top drawer – always hard to work with a restrictive tracklist and still avoid some clangs, but this one is very smooth. Obviously it’s well worth checking out for new material from Exemia and some previews of Evolutionize’s very promising album, but also some incredible stuff from Qygen’s work on the Blue Revolver OST. Some of the finest freeform of the year, no doubt.

Quick mention of a tune I should have posted about back in September – as always Hyphen is producing at a frightening rate, but it’s been especially brilliant to hear the return of his melodic melancholy in amongst all the other styles.

Large Hadron Collider has to be one of my recent favourites, ticking all the boxes of power, speed and emotion. The breakdown doesn’t really match the rest of the tune in my opinion, but that explosive drop is likely one of the best you’ll hear all year. Add in the glorious lead and this a very impressive tune indeed, and one I’ve definitely heard getting some play from the man himself at CODEX this year.

The track was a free release by Japanese net label Unisphere, as part of the Afterfire EP, and can be found here.