Back when thoughts of TYFTH as a label were in the very earliest stages, Guld was the first person I went to for opinions. Not only did he come up with some quality advice and encouragement, when the time later came for submissions he went well beyond the call of duty with Perkele!, which might be one of his best tracks so far.

More than keeping up the production levels of his recent releases, Perkele! does something a bit different with its deeper breakdown and a really brutal finale (not in the preview, but it’s worth waiting for). Some cheeky sampling and nods to the classic Nightmare Freak add a extra element to the manic filters, a great combination.

In Praise of Shadows’ second track will hopefully be a nice surprise to anyone who fell in love with Four Beast, One Immortal and the rest of Einhander’s ferocious, twisted NRG. He’s back, and I’m honoured that Einhander has agreed to make both a return to NRG and his first official release on Thank You For The Horse.

I can honestly say that I love every track on the compilation, but Storm Coming has to be very close to the top of the list. The aggression, industrial percussion and crazed filters couldn’t be better, and even the intro/outro is a step above most NRG tracks. Playing after Alek Szahala at CODEX last year, there’s a reason I used Storm Coming as the opener – even unmastered it laid down a marker that kept the crowd with me from the start.

As an aside, massive thanks to everyone for the support on the TYFTH Facebook page. It was so encouraging to see how enthusiastic everyone is for the release, and I just want to get things finished up as soon as possible. I’ve gone ahead and said a ‘summer’ release date, which whether it ends up being next month or August is almost certainly doable.

See you tomorrow for track 3!

And so it finally begins – I’ll be sharing an In Praise of Shadows track preview each day for the rest of this week and into the next, beginning with Proteus’ Monochrome. As the earlier master of this track will be familar to most of you, today’s post will also introduce TYFTH’s new logo and a preview of the artwork.

Unfortunately the blog still isn’t ready for the cosmetic surgery needed to really do the art justice, so instead I’ll point you towards SoundCloud, Facebook and Twitter, where there’s now some unified brand-identity action going on.

The backgrounds show off a small part of In Praise of Shadows’ cover, but seeing the entire image is something else altogether. To say it nails the atmosphere I was hoping for is an understatement – you can almost hear the music just by looking at it.

I’m also enormously happy with the logo. It has the balance of aggression, moodiness and slight delicacy that I was hoping for, and despite being effective wherever it’s placed, also manages to look like it was designed specifically for this release.

TYFTH still takes priority, but I’ll be adding plenty of info to the new Facebook page in the near future (not least the release date and ordering links). I’ll also be more active on the label Twitter account, as it could be a nice supplement to the blog if life continues to be as hectic as it has been recently. Please feel more than free to share posts and links with whoever you think might (or might not, come to think of it) be interested.

Finally, back to Monochrome – I could hardly have asked for a better prologue to the album, especially as I’ve been talking with a few people recently about how NRG and freeform could potentially grab all kinds of new audiences with the occasional drop in bpm (similar thoughts led to my Dark Alternative set a while back). Dark and beautiful, it’s just the kind of track I was hoping for when I first pitched the project to Proteus, and this improved master really does it justice.

As always, don’t hold back with the feedback, thoughts and suggestions – thanks again for your patience, and I’ll be back tomorrow with the second of the track previews.

Ok, false alarm re. the previews – over the weekend Real Life intervened in fine style, and I’ve had to postpone. Depending how things go, I may be able to start uploading as early as Wednesday, but keep an eye on here or twitter/facebook for the real announcements.

Incidentally, this won’t affect the progress on the album itself, as that’s almost entirely out of my hands (and has been for a long while). It would still be nice to give everyone something to see and hear at long last, so stay tuned for the rest of this week.

There’s a small heap of posts at the moment that are either half-written or on the to-do list, but right now what’s most pressing is In Praise of Shadows news. Obviously delays have struck again, this time at the last possible moment before the CD manufacturing – it’s hard not to feel the frustration as deadlines merrily come and go, but these experiences will definitely stand me in good stead should a second release ever happen.

Either way, the final product is almost certainly going to be worth the wait. It’s already feeling very unified, from the art and graphics to the tracks themselves, and I’m even satisfied with CD2’s mix – it has been a regular commuting soundtrack since February, probably a sign that it’s one of my better efforts over the past couple of years.

Of more interest to everyone will be the unmixed tracks, and to finally make things more public I’ve decided to start uploading previews from this weekend. Starting tomorrow, I’ll add a track each day, giving you a chance to check each one out while we wait. At the end of that process I’m pretty confident that the album will be at, or close to, the manufacturing stage, and will then be available to order next month.

Most people will already know that the first track is Proteus’ Monochrome, but we’ve since decided on an improved master that honestly improves it a lot. The track structure itself is unchanged, so it might be nice to have track 2’s preview ready to hear tomorrow, as well.

Finally, to coincide with the previews there’ll be some logo action happening, incorporating a little preview of the album artwork. Hope that’s enough of a silver lining for now, and that everyone enjoys the Lucky Lotus set later today.

A little last-minute, but Shimotsukei and I will appearing this afternoon on the Lucky Lotus Festival at 15:10 GMT (00:10 JST). S3RL will be up before us, while Lab 4, Guld and Morita Yuuhei will be coming later. The festival is already in full swing, and with Evolutionize and Byproduct also playing towards the end of the day, Saturday looks to be a great one.

I’m going to do my best to be in the chat for our set, and as things have been pretty quiet here lately it would be lovely to catch up with any Horsers in the vicinity. See the next post for some In Praise of Shadows info, but it’ll also be worth tuning in today for a preview of something that’ll appear on the album.

A few things to catch up on, starting with an impressive looking release from Alias A.K.A. More familiar to most of us as Shanty, Alias’ album is a freeform take on twelve of his house, breakbeat and trance tracks, with production duties taken on by a broad range of the scene’s artists.

It’s this diversity that’s the selling point of the compilation – a real showcase of Alias’ taste in freeform, with everything from Qygen’s psychedelics to some very strong contributions from the UK crew. Alchemiist’s frantic rework of Inescapable Fatalism deserves special mention for representing the FINRG sound, but there’s lots to like here. CD2 is a mixed version of all the tracks, something likely to be appreciated by the car/home listening brigade.

The album is up for pre-order here until the 26th of this month, and as it’s only after that production numbers will decided, showing some support right now makes lots of sense.

If you’ve ever wondered what freeform jungle produced by Transcend would sound like, then this post combined with the previous one might get you somewhere close – another sample pack, but this time free and featuring a huge range of classic jungle/drum and bass samples from 1989-1999. It was compiled by veteran intelligent junglists Blu Mar Ten, and while it might only be Qygen who has effectively incorporated 90s jungle into freeform so far, there’s more than enough here to get anyone’s inspiration going.

Heading the post is fine example of BMT’s work in the 90s – the quality drum edits and beautiful atmosphere of Lunar.

Transcend has long been my favourite artist active in the UK freeform scene, even if the always-long breakdowns and trancier elements have done just enough to keep his tracks away from my own sets. This sample pack from Stamina is genuinely exciting then, as it gives artists and fumbling also-rans alike the chance to put their own spin on some of Transcend’s trademark sounds. Both demos have some brilliant sounding stuff, and the £23 asking price sounds very fair indeed for what I hope will become a long running series.

My first set of the year will be next month, as I’ve very kindly been invited back to join the freeform contingent of the Lucky Lotus festival. With things being a bit fraught these days I haven’t had time for a full set’s worth of prep, so instead I’m really excited to be putting together a b2b with Shimotsukei. We’ve started work on it and already there are a few surprises in store…

The rest of the event looks like the best LL so far, with a fabulous roster on the freeform/NRG side. Nomic, Alabaster, Guld, B.R.K., Lab 4, Raqhow, Hyphen, Evolutionize, and Solvynt – you couldn’t ask for much more than that. Other highlights would be a new Byproduct set, Dark by Design, and a very rare recorded set from Kanon.

The facebook event page is the place to check the full lineup and eventual timetable info, but we’ll of course find room for it here too, as and when.