Over the past year or so I’ve (as usual, to be honest) been listening to my own mixes if I’m in the mood for some NRG or freeform, and three in particular have had the most play – the FINRG Podcast set, my tribute to Exemia, and the last twitch stream from the start of last year. I took elements from each of these with the goal to raise Dark NRG a level or two above the pretty good Hardcore for Life , an NRG set I’m quite happy with, but don’t listen to often.
The other inspiration was Proteus’ old NRG sets, so I aimed for a dark, industrial atmosphere in this one that looked to other genres for some of the tracks. Originally that meant me tinkering with tracks like Waldhaus’ Blood on Fire remix, but the challenge was finding something that matched the NRG atmosphere and added some heaviness at the right moments. That’s where the FINRG Podcast influence also comes in, as the second half of that set is still the blueprint for what my sets should sound like – dark, strange, and with some deeper psychedelic elements to them. With all those things in mind the set ended up using plenty of Proteus’ own tracks, with one hard techno track as a transition and the deeper finale of Louhi and Synchronicity. I’m especially happy with the progression from the weighty opening Proteus sounds to the increase in pace with the NRG and then into the section that’s probably got most of a freeform feel – more on that in a minute.
I still listen to the Exemia set often – it’s definitely one of my most inspired, with some of the best transitions I’ve ever managed. Here I tried to recreate the drive of the set, particularly in the way that transitions would avoid the ‘stop-start’ style of introducing new tracks with a breakdown. It’s something I used to do too much but have tried to improve recently and am very happy with how it went for Dark NRG. Gangstah into Knock Out is one of my favourite examples, and it gets bonus points for smoothly using two tracks in different keys. The vocal samples work well together, and the extra power of Knock Out increases the pace and leads nicely into the freeformy-NRG part of the set. Another good one is Rock N Rave into Heavy Fusion, the final step into the freeformy-NRG section.
Cyrez’ recently released Malicious was a late addition, matching up perfectly with the tricky Heavy Fusion. The Resurrection remix had been floating around the same part of the tracklist during planning, so it made sense to add it here. Tears Are Not Obedient was another late selection – I had found another in-key escape route from Resurrection, but it took the atmosphere in a direction I didn’t like. I left the set alone for a while to think about it, and eventually came up with the simple-but-effective Gus and Jorg track as the answer. Truth be told I was running out of enthusiasm for the set by then, and repurposed an In Praise of Shadows mix to follow up. There could well be some better options out there, and it’s probably weakest part of the set to my ears. Get Fire! and Louhi really work well together though, so maybe it’ll grow on me.
So that’s the set – very pleased with it even if it didn’t justify a full year(!) of planning. It has some strong moments that I like going back to, and there were lots of unused transitions that’ll be appearing in the freeform-only mix that’s in the works these days.