Watchtower Vo. 3 is finally emerging Rip Van Winkle-like from schedule stasis, with two CDs of high quality freeform and NRG. For TYFTH purposes the best news is the appearance of two brilliant Japanese tracks in Guld’s remix of Hatral and Le Dos-on’s Chemical Wash, but there’s also a very strong Finnish showing from Alek Szahala, Alchemiist, Grimsoul, Substanced, and Epyx & Cyrez / Tyranoid & Strongstream. Throw in some great tracks from Qygen and Aryx, and there’s a lot of material here for our side of the freeform spectrum, plus the expected new releases from Transcend, Lost Soul et al. A must buy, then, and preorders are already open on the Watchtower site, with the release a few days away.
UK
I had a pleasant surprise the other week when I noticed my Lucky Lotus set included as one of the mixes of the week on New Zealand’s Rinsed Radio Podcast. The other selection was Alchemiist’s Lucky Lotus mix (very well worth checking out, if you haven’t already), so I was definitely in good company.
The whole podcast is very recommended, as after two 30-minute segments of the guest sets, host DJ Orphic plays an hour or so of quality freeform, most of it from Smiling Corpse’s latest release. Big thanks once again to Orphic for the support, and plenty of respect for pushing our sound in that corner of the world.
Suncore – Freeform propaganda by Suncore on Mixcloud
Suncore’s very active at the moment, and I couldn’t resist giving a shout to his most recent set. Typically idiosyncratic, there are a couple of surprising moments combined with the kind of freeform and NRG that TYFTH loves best.
Truth be told I’m not a massive fan of the various versions of Silence a Prayer, but it seems to be quite an anthem these days and works well here as an intro, before a great little sequence of old and new Japanese tracks. Niflheimr is another quality Falchion tune, and the transition into Betwixt & Between’s Stand and Fight works very well. There’s definitely an element of ‘overused promo’ syndrome here though, as the tune outstays its welcome and doesn’t move too smoothly into Phaedra.
Post-Phaedra things go unconventional again, with the bpm suddenly dropping to bring in Hokkai – nothing necessarily wrong with that of course, but the move into Gozenzeuna is a bit sketchy and feels like a missed opportunity. Making up for that is a really nice use of the silent moment towards the end of the track, smoothly bringing in Adagio for Strings’ breakdown. The distinctive atmosphere so far is rounded off well with Betwixt & Between’s Outro, leaving us with a set that has its faults, but also shows some real promise. If Suncore can iron out a few transition quirks, his future (longer?) sets should be really worth looking out for.
01 A.B & Nick235 – Silence A Prayer (Intro Mix)
02 DJ FALCHiON – Niflheimr
03 Betwixt & Between – stand_and_fight
04 Betwixt & Between – Phaedra
05 Hase – Hokkai (Reloop)
06 GULD – Gozenzeuna
07 Alek Szahala – Barbers Adagio for Strings
08 TOTAL DISCOMMUNICATION – Outro
Slowly getting around to some more Lucky Lotus sets, including this one from Shimotsukei that’s been a pretty regular listen for me over the past few weeks. Another Shimotsukei set that really effectively mixes freeform with a few other genres, this is definitely recommended if you’re after something out of the ordinary.
The first third is probably the most conventional, with some hard dance from Ultraform, Adam Lab 4 etc. keeping the melodies straightforward and danceable, before Mermaid signals some familar freeform. Look out for some classic tracks from Druggy’s Acid Rack, then a superb Betwixt & Between sequence of Broken Visage and Hydra.
This is without a doubt the best example so far of Shimotsukei incorporating demented dark psy into his sets, and the transition from Hydra into Breaking Point is very close to seamless. Such a smooth flow seems to make a crucial difference, as this time around I found myself buying into the change in atmosphere much more readily. There’s no let up as the set hurtles into the finale, but it’s a hugely enjoyable ride of the kind only Shimotsukei seems to be creating at the moment.
01. Modulate – Hard & Dirty (A.D.A.M. Lab4 Mix) [Infacted Recordings]
02. Ultraform – Music Is Movin’ [Ultraform Productions KB]
03. Ultraform – Sense Your Mind [Ultraform Productions KB]
04. Alek Száhala – Mermaid [FINRG]
05. Le Dos-on – Benetnasch [Solidbox Records]
06. Ark-Z – lunatic satelite [Druggy’s Acid RacK]
07. LV.4 – Angel dust [Druggy’s Acid RacK]
08. Betwixt & Between – Broken Visage [Cis-Trance/東方カーニバル]
09. Betwixt & Between – Hydra (Long Edit) [Hardcore Tano*C]
10. CinderVOMIT Ft Luuli – Breaking Point [Horrordelic]
11. Junxpunx – Ruten [Osom Music]
12. CinderVOMIT – Distorted Visual Depth Perception [Horrordelic]
13. Junxpunx – Neomeow [Osom Music]
A call to arms for the freeform crew here, as Smiling Corpse’s Freeform Forum is back again, now with a rather sexy new design. It would be brilliant to have an active hub for the music that brings back the kind of discussion we enjoyed on the FINRG forum, so I’ll definitely be trying to stop by when I can.
There were some brilliant freeform sets during last weekend’s Lucky Lotus, including this very TYFTH-friendly effort from Solvynt.
The tracklist alone should be enough to convince you, with plenty of harder melodic tunes, but there are some lovely connections that add some extra depth to the set. My personal favourite is the move from The Awakening to Darkside – a famously tricky tune to mix out from, here the combining filters and melodies are really excellent. The rest of the set is very well selected (including TYFTH’s Children), and already has me looking forward to the next Solvynt mix.
I’ll be posting on my own Lucky Lotus set sometime soon, but you can already check it out here.
Better late than never – it’s time to finallly show some support to Blue Revolver, an extremely promising shmup that features an OST from Qygen and sound design from Wyrm.
The developers reference CAVE and Raizing in their opening comments, and there’s definitely a strong influence of mid-era CAVE in the bullet patterns and weapon choices. Thank the heavens that character design and overall atmosphere don’t stray into the cringeworthy territory of later CAVE efforts, while the demo shows some pleasing depth to the scoring system and a quality first boss.
The choice of Qygen on music duty is inspired, and there are already some fabulous tracks on show in the game and on Qygen’s SoundCloud. Very freeform-esque, this will surely be the best use of harder music in a shmup since Raizing’s Battle Garegga. Big congratulations to both Qygen and Wyrm for some amazing work so far.
I’ve only had a little time to play around with the one-level demo (available here), but apparently the game has already been Greenlit on Steam, and I’ll be spending plenty of time with it on release.
Funnily enough I was intending to write a little VGM-related digression post soon, but for now I’ll just mention Recca (Famicom) – one of my favourite shmups and released in 1992, the soundtrack is way, way ahead of its time.
A busy week has delayed a couple of other posts, but the release of Smiling Corpse 2 definitely deserves to jump the queue. Long-awaited is a bit of an understatement here – it probably won’t be too long until this two CD compilation sells out. Congratulations to the SC crew for finally completing the release, and the tracklist is really one of the strongest we’ve seen for a few years.
Trek over to the rather sexy new Smiling Corpse site, where you can order the release for a mere five pounds.
Fortuna into Sylph – that’s what first caught my ear here, but Olly Addictive and Damo’s back to back set also has a fantastic tracklist that makes it well worth checking out.
The selection here is a top example of what can happen when DJs with a knowledge of the UK scene mix things up with their love for the Finnish/Japanese sound. There are lighter moments, but the darker stuff is never far away and the tracklist flows brilliantly without ever needing the transitions to do too much work. The sequence immediately following Fortuna – Sylph is a great example – a series of nicely selected tracks that do a fine job of keeping the atmosphere consistent and the quality level high.
Whether this was an every-other-track style of B2B or Olly and Damo took on one half each, the chaps deserve kudos for a very nice set, and one that should have something for everyone.
01) Milo – Kill You
02) Oli G – Cordelia
03) Shox – State of Mind
04) Grimsoul – Some More
05) Twisted Freq – Innocence
06) Asa & S1 – Cured
07) Stormtrooper – Adrenalin Rush
08) Transcend – The Purification
09) Human Resource – Dominator (Brisk & Ham Remix)
10) Ephexis – Intensify (Greg Peaks & Solution remix)
11) Skampy & Mayhem ft K Complex – Perverted Science
12) Transcend, Cyrax & Iggy – Jungle Hijynx
13) Nomic – Fortuna
14) Aryx – Sylph
15) MHX – Gray Death (Sky Dragon Remix)
16) Alchemiist – Empire
17) Ephexis – Mind Grinder
18) Pain On Creation – Adaptation
19) Ephexis – Quantum Fury
20) Shanty, Tazz & Dodgee – Law of Hardcore
21) Tazz & AMS – Gettin’ Dirty
22) Ruffage & Size – Demonic Rose
23) Le Dos-on – Mental Madness
24) Nomic – You Have A Dream
Massive congrats to Dyzphazia for winning a place on the lineup at the next Hardcore ‘Til I Die, where he’ll be representing freeform alongside some very big names. His winning set submission is now online, and you can immediately see why it convinced the judges – enough uplifting, dancefloor freeform to excite a UK crowd, with some surprises along the way to a glorious, harder finale of Rx’s Eternal Cannon remix, Gozenzeuna and al Megiddo.
Another milestone for Dyzphazia, and I’m sure he’ll be representing the scene in fine style with some tasty selection and typically quality mixing. Huge news, then, and hopefully the UK Horsers will be out in force to support one of their own.