USA

It’s a bit of an injustice that Midas hasn’t had more mentions on TYFTH, as he’s been doing a brilliant job over the years of sneaking Finnish and Japanese sounds into his sets, both online and around the UK. In fact I wouldn’t be at all surprised if some of the UK freeform crew have Midas to thank for their first exposure to FINRG.

You won’t often hear Wizbit and Alek Szahala in the same mix, but Midas was on top form for his recent-ish Freeformaniacs set, deftly negotiating his way from nutty breakbeat hardcore to some classics of the darker side. I’ve been known to dabble in breakbeat hardcore myself, and it’s hard to resist some of these throwbacks to the amen-heavy mid-nineties, especially when mixed this well. Some teeth-gritting might be needed through the tracks that start sounding a bit too nu-skool, but we’re soon into some of the best of current UK freeform, including Transcend’s excellent Candyman remix.

Midas has often pushed the Hybridize era nasty-but-melodic sound, and here it works as a nice bridge into the darker final section. Morokai, Fluorite, Icy Clouds, Alchemiist’s Pain remix – you really couldn’t ask for a much better selection if you’re looking to introduce folk to our side of things. Quite the journey of a set, and one that’d easily grace the peak time of many a UK event, I reckon.

Label shenanigans are maybe one instrument too many for the TYFTH one-man band, but the past month has seen a lot of quality mixes and I’ll be highlighting a few when I have the chance.

First up is Cuedy’s recent Freeformaniacs set – an hour of standard-issue TYFTH-friendly tracks (which is a very good thing), punctuated by two or three really nice transitions and a couple of tracklist surprises.

Obvious shouts to Cuedy for starting with Betwixt & Between’s Eternal[l]y, followed by a really good connection in Alchemiist’s Pain remix. The rest of the set alternates between nastier filters and melodic interludes, and I was glad to see that classic tracks were given special attention in terms of transitions – we’ve all been listening to them for so long now, they really should. Eryk Orpheus’ Pyjama Sonata was a nice follow up to Supriya, while Alabaster’s Flamberge was the big surprise of the set. It was the final connection that really got me though, as the slightly chaotic blend of filtered riffs from Xerosis to Super Sonic shows off the older FINRG sound at its finest.

It’s always nice to see DJs in the freeform scene take the step up to production, and this time it’s Shimotsukei who has braved the divide with a fine debut tune. Working with hardcore producer Archari, his first track is a remix of a past Pokemon movie theme, but has more than enough elements to make it something distinct.

An understandable stumbling block for a lot of new producers (especially these days) is the inability to sound ‘authentic’ enough, or match the production levels of the established crew. The Guardian’s Song has little trouble here though, and to my ears has a little bit of the Hyphens about the acid and percussion. Plus of course the main theme is brilliantly chosen – even if the sample use is ever so slightly overkill in the main break it easily ticks all the boxes for the melancholy junkies in the audience.

What a great starting point then, and hopefully it’s an inspiration to others on TYFTH to take up the DAW and make a mark on the scene.

I’ve done plenty of mix listening over the past couple of months to catch up with what was an excellent year of sets in 2015. Some strong releases have kept a lot of sets fresh, but there have also been some quality older selections and an overall higher level of mix transitions than we’ve seen for a couple of years. Here, then, are my favourite three.

3. Alek Szahala – Live @ CODEX5, Tokyo 2015

This was a special set for all sorts of reasons, but even putting to one side Alek’s return to Tokyo this is a wonderful hour that showcases a lot of different styles through more than a decades’ worth of tracks. There are some surprises thanks to a few unusual connections, while the contrast between the darker and lighter sides of Alek’s sound is very nicely put together.

2. Dyzphazia – Hardcore Summer Bash 2015

Despite the new releases this year one of my favourite sets was this primer in older FINRG, delivered by Dyzphazia. Very solid mixing lets the tracks speak for themselves, and the selection of aggressive filtered tracks is nicely broken up with some classic, melancholy melodies. If you know someone who has yet to get into freeform, then pointing them towards this set would be a sensible first step.

1. Solvynt – Lucky Lotus Online Electronic Music Festival 5

Solvynt’s set is another one that lets most of the tracks play out to their full length, but the eventual transitions are often something very special indeed. The track selection is pure TYFTH, and even if the second half can’t quite maintain the levels of the first, the flow of the set is superb as it builds to the Stance – Taranis finale. Definitely my favourite set of the year, and the good news is that Solvynt is back on the Lucky Lotus lineup for this year’s event (more on that soon).

Honourable mentions:

Olly Addictive & Akumie, Shimotsukei, Orphic, Alchemiist

 

There’s a case to be made (and someone made it to me the other day) that Qygen is the most melodically advanced producer in freeform these days, and his tribute to Betwixt & Between is another one of those tracks that rewards repeated listening. Qygen has just added an alternative version to his SoundCloud – not a massive difference, but the second half’s ‘heavy’ kick is really effective.

On the subject of Qygen, a belated shout to Hellfury for the fine work he did on the recent(ish) Smiling Corpse and Freeformatted promo set. I finally checked it out a couple of weeks ago, and the mixing is top drawer – always hard to work with a restrictive tracklist and still avoid some clangs, but this one is very smooth. Obviously it’s well worth checking out for new material from Exemia and some previews of Evolutionize’s very promising album, but also some incredible stuff from Qygen’s work on the Blue Revolver OST. Some of the finest freeform of the year, no doubt.

There’s something great going on at Freeform Will Never Die’s SoundCloud right now – a collecting together of a huge number of free releases from the labels that make up the scene, curating the best ones and making them handily available in one place.

The FINRG list of 25 tracks shows a really good ear for our kind of sound, and in fact even TYFTH was recently added to the collection. If you somehow missed out on our free tracks then be sure to take a look, and I’d wager there’ll be a few other free tunes on other labels that went under your radar until now.

Give FWND a SoundCloud follow as well, this kind of dedication deserves plenty of support.

Watchtower Vo. 3 is finally emerging Rip Van Winkle-like from schedule stasis, with two CDs of high quality freeform and NRG. For TYFTH purposes the best news is the appearance of two brilliant Japanese tracks in Guld’s remix of Hatral and Le Dos-on’s Chemical Wash, but there’s also a very strong Finnish showing from Alek Szahala, Alchemiist, Grimsoul, Substanced, and Epyx & Cyrez / Tyranoid & Strongstream. Throw in some great tracks from Qygen and Aryx, and there’s a lot of material here for our side of the freeform spectrum, plus the expected new releases from Transcend, Lost Soul et al. A must buy, then, and preorders are already open on the Watchtower site, with the release a few days away.

Slowly getting around to some more Lucky Lotus sets, including this one from Shimotsukei that’s been a pretty regular listen for me over the past few weeks. Another Shimotsukei set that really effectively mixes freeform with a few other genres, this is definitely recommended if you’re after something out of the ordinary.

The first third is probably the most conventional, with some hard dance from Ultraform, Adam Lab 4 etc. keeping the melodies straightforward and danceable, before Mermaid signals some familar freeform. Look out for some classic tracks from Druggy’s Acid Rack, then a superb Betwixt & Between sequence of Broken Visage and Hydra.

This is without a doubt the best example so far of Shimotsukei incorporating demented dark psy into his sets, and the transition from Hydra into Breaking Point is very close to seamless. Such a smooth flow seems to make a crucial difference, as this time around I found myself buying into the change in atmosphere much more readily. There’s no let up as the set hurtles into the finale, but it’s a hugely enjoyable ride of the kind only Shimotsukei seems to be creating at the moment.

01. Modulate – Hard & Dirty (A.D.A.M. Lab4 Mix) [Infacted Recordings]
02. Ultraform – Music Is Movin’ [Ultraform Productions KB]
03. Ultraform – Sense Your Mind [Ultraform Productions KB]
04. Alek Száhala – Mermaid [FINRG]
05. Le Dos-on – Benetnasch [Solidbox Records]
06. Ark-Z – lunatic satelite [Druggy’s Acid RacK]
07. LV.4 – Angel dust [Druggy’s Acid RacK]
08. Betwixt & Between – Broken Visage [Cis-Trance/東方カーニバル]
09. Betwixt & Between – Hydra (Long Edit) [Hardcore Tano*C]
10. CinderVOMIT Ft Luuli – Breaking Point [Horrordelic]
11. Junxpunx – Ruten [Osom Music]
12. CinderVOMIT – Distorted Visual Depth Perception [Horrordelic]
13. Junxpunx – Neomeow [Osom Music]

Probably about time for a quick note on my Lucky Lotus set, broadcast a few weeks ago and now up on the FINRG SoundCloud.

I actually put a lot of effort into this one, and hoped to follow up my old (and very melodic) LL mix with something a bit darker. In the end I decided on a dark first half, before a psychedelic midsection and a slightly lighter finale – I’m (occasionally) working on a special set for TYFTH at the moment which’ll be heavy on the melancholy, and so I wanted to keep things energetic this time around.

As is usual these days, you’ll notice that most of the tracks are very old, and even one or two of the connections might be familiar-ish if you’ve listened to some of the more ancient sets listed here. It wasn’t the plan from the outset to use so many oldies, but it’s of course hard to find a similar atmosphere in many modern tracks – it’s a nice feeling to be so familiar with a lot of these tunes, and hopefully that’s reflected in some fairly interesting connections and a flow I’m very happy with.

edit: To add something a bit more informative, a really important part of the first half was Superstition – I’ve always wanted to use it in a set, and the track actually changes key after the intro, which is incredibly useful if you’re going for a smooth sequence of tunes. Pink Magic is another Alek track that does something similar.

I was actually quite pleased with the next part too – I’m not the first or last to try to connect a few psychedelic tracks to Supriya, but this was my best attempt so far, and I really like the progression to Le Dos-on’s Mezame bootleg. Having melodically fumbled my way out of that section, I was looking forward to smoothly progressing things towards the finale. Sadly though, time restraints meant I couldn’t mess around with Mezame experiments for too long, and I decided to switch things up and lead into the Mediterranean Summer – Spatial Healing combination I’ve been sitting on for a while. A shame to let the momentum of the previous 45 minutes trickle away a bit, but there was the silver lining of using Rift in a set for the first time ever.

Apparently there was quite a positive response to the set during the broadcast, and once again a few new listeners seem to have checked out our brand of freeform as a result (if some sudden action on the TYFTH SoundCloud is anything to go by). That was the main objective of course, so huge thanks once again to the Lucky Lotus organisers for another chance to spread the word.

A brief respite before the freeform-related busyness starts up again, giving me just enough time to mention the next edition of the Lucky Lotus festival. I’m very happy to have been invited to take part, and looking forward to introducing a few new listeners to some darker freeform, as well as providing a fix for those who already know.

There’s a Facebook event page that will likely have timetables up in the not-too-distant future, but it will also be worth keeping an eye on Doujindance, where the festival will eventually be streamed.