Mixes

The next NRGetic Romancer set is a pretty formative one for the whole event, with Orfeus setting the standard for guest bookings for the rest of the decade. A lot of the FINRG artists were already in full flow by this point, possibly making Orfeus a surprising first choice until you skip through this absolutely on-point hour and a bit of NRG and early golden-era FINRG. The booking says a lot for Guld’s knowledge of the scene even 13 years ago, and Orfeus of course went on to use the deadly combo of Japanese and Finnish tracks in a lot of sets, a good few years before I started doing the same.

This is a live recording via the mixer, giving a nice clean sound minus crowd noise and any nasty volume changes. The tracklist is a tricky one though, as apart from the obvious selections I’m having a really tough time identifying many. I love the first track after the intro, but up until the Kraken – Epilim combination I don’t have much of a clue what’s playing. Would anyone like to give it a go?

Even without the tracklist this is a lovely set in classic Proteus/Guld style – slanted towards NRG, plus melodic FINRG tracks as interludes that are still hard and dark enough to slot in smoothly. This might be my favourite of the Romancer sets I’ve discovered, but there’s more to come.

edit: Thanks to SteTN and Solvynt we’ve already got a pretty respectable tracklist. Feel free to pitch in if you have some ideas for what’s left!

00:00 = PoC & Orfeus – Intro (uses parts from a very early prototype of PoC & Orfeus – The Sanctuary)
1:27 – 8:30 = Proteus – Dark Queen (?)

14:24 – 19:54 = Reyes – Fuck You / Captain Tinrib – The Kraken (?)
19:54 = Epilim – Rapid Fire

30:30 – 35:09 = Flatus – Cloaca

45:25 = Alek Szahala – Chimaera
51:20 = Epilim – Plasma
56:20 = RX – Uprising
1:03:16 = Epilim – Desert Eagle

Here then is the first of what’ll be a few Romancer-related uploads to TYFTH’s YouTube channel – a set from Betwixt & Between that’s probably a new listen for anyone who wasn’t a regular at NRGetic Romancer back in 2008.

This set was mixed for Romancer and handed out as a CD promo, around the time that promotional mixes were becoming a common sight at the event. The mixing is a bit haphazard in places, but production-wise it really shows Betwixt at his best, a period when a lot of his oldies still got play alongside newer tracks like Wide Awake and Surendrajit.

I hope everyone enjoys it and will be looking forward to more – there might eventually be a downloadable home for the sets but they will be collected here for the time being.

edit: Almost forgot to mention, but in the original recording the transition from Genshi Kurage to Zusammengehorigkeit suddenly (and I assume accidentally) cuts off, with silence for a few seconds before a second version of the transition cuts back in and continues the set. It’s not a pleasant listen, so I’ve cleaned up that 20 second section to allow Zusammengehorigkeit to play without interruption. Full disclosure, and all that.

Although Decion might be best known for his NRG collabs with Alchemiist, he was also part of the freeform scene from the very early days of the Finnish sound. Anyone who missed out on his more freeform-centric sets should head towards his mixcloud, where there’s an impressive back catalogue that also includes NRG and hard dance. The freeform sets are very TYFTH-friendly, and maybe especially interesting for the inclusion of some lesser-known artists of the time such as Cyber Genetics and Beliar.

While lately the bpms might be slightly calmer, Decion showed in his recentish This is How I Roll 2 that he still has taste for the older stuff, ending another excellent, varied set with Hase’s Houkai.

Thought I’d make the most of this quiet spell for new sets by posting up another favourite from the Golden Age. This time it’s the very beginning – Alek Száhala playing at Säde, almost 14 years ago. That a good few of the tracks would still be in my all-time top ten says it a lot for Alek’s production, but this set is extra special for the live edits and interesting transitions that we don’t see much of from Live PA artists these days. Imagine hearing Invitation suddenly leaping into this set, back in 2003, or the atmosphere during the Afternoon Owl – Man Eaten mix.

Time for the traditional ‘look back at a CODEX from months ago’ post – as the only Japanese freeform event of 2016, CODEX7 definitely deserves a proper recap. With guest cancellations and a last-minute change of lineup there was potential for calamity, but Raqhow and the rest of the crew managed to put on one of the best events of recent years. There was also the small matter of In Praise of Shadows’ release, and it was on sale at the event alongside the CODEX EP, Alias A.K.A.’s Freeform Remixes, and the new Tesla Tracks compilation.

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Sorry the year ended without a post, but the Top 3 Tracks are being gathered together as we speak and will be appearing soon, along with a couple of other delayed bits and pieces. For now, let’s start 2017 with my favourite sets of last year.

2016 was a funny one for the scene – surely more releases than we’ve seen since the golden era of FINRG and Electronica Exposed, but not many events at all (other than in the UK) and fewer recorded sets than we’re used to. Hopefully all these releases in 2016 will have given DJs the ammunition they’ll need for the next twelve months.

On to the favourites from 2016, then. Most of the best sets arrived too soon for a lot of this new material, instead showing a familarity with older tracks that lends itself to more ambitious mixing and cohesive set construction. There’s still a long way to go for the scene in general (in comparison with DJs in some other genres – a thought I’ll save for another time), but there were some more really promising steps forward in 2016.

3. Nomic – Lucky Lotus Online Electronic Music Festival 6

Nomic’s set for Lucky Lotus 6 was one of his very best, not only thanks to the combination of very old and very new, but also the subtle approach to blending tracks and carefully switching key throughout the set. Neptune into Rule Breaker is a nice example, and it does wonders for the atmosphere. That aside, it’s another masterclass of melancholy into aggression and an absolute must-listen.

2. Solvynt – Lucky Lotus Online Electronic Music Festival 6

Solvynt was on top form last year with his Lucky Lotus 5 set, so I was obviously looking forward to number 6 as soon as he was confirmed on the lineup. It doesn’t disappoint, featuring some of darkest atmospheres and interesting transitions of the year. I mentioned at the time that the set suffers a slight dip after a very (very) strong start but then quickly picks up again, which is the only reason it wasn’t my number one choice. Listen and learn from Superstition – Purple – Tendrils of Reality though, that there is how the creativity of a DJ can not only link together, but actually add something extra speacial to the hard work of the artists themselves.

1. Shimotsukei – The Techno Shark Guest Mix

There was no stopping Shimotsukei in 2016, with a pretty staggering amount of mixing across all sorts of genres and even some very promising steps into production. Her end of year Le Dos-0n/Hyphen set came very close to defeating the Techno Shark, but in the end it was hard to deny two hours of excellently mixed tracks that match the TYFTH mission statement word-for-word. The first third-or-so of NRG is as good as you’ll hear anywhere, with some superb, ambitious mixing that maintains the atmosphere brilliantly. The length of the set means that things eventually have to start switching up more abruptly, but even among the freeform tracks there are some special transitions that make the whole two hours an exciting listen. Also worth mentioning what an excellent intro to the two genres this is – if you’re ever out proselytising among the non-believers, Shimotsukei’s set would be ideal.

Honourable Mentions

GULD, Hellfury, Midas, Orphic, Shimotsukei, Shimotsukei

Everyone’s familiar with Alias A.K.A., if not for his multi-genre productions of the past few years then definitely as Electronica Exposed’s main man, Shanty. I’ve been following Alias’ releases and mixes for a while and really should have mentioned them here, especially the fabulous Prime Suspect album.

Praise be, then, as the latest Freeform Remixes compilation takes on some of those darker tracks along with all sorts of other fun and games for a compilation of very big names. The majority of the artists lean towards UK freeform, but we also have some high quality deeper sounds on show. Nomic’s Regret remix is the big standout for me so far, but Wyrm and Sutr are a perfect fit to take on Nurgle, originally one of those excellent Prime Suspect dark trance tracks. The remix doesn’t quite hit the dark atmosphere of the original (it is named after the god of disease and decay, after all), but the second half of the clip shows a ton of promise – pacy, twisted and heading in a darker direction.

The last of the previews went online recently, but keep an eye on the Alias A.K.A. SoundCloud or Facebook page for more info on the release.

Following on from the release of Galaxy comes a new uploaded set from Alabaster, and actually (as Shimotsukei pointed out the other day) his first ever downloadable set. This one takes the form of a Live PA, something he has only done a couple of times at CODEX, showing off what a quality back catalogue he has built up over the years.

The set goes back as far as a release on Druggy’s Acid Rack and finishes in 2016 with Galaxy, including a few of my all-time favourites. Acid Maker, Oxyale, Iolite  and both Rebuild tracks are all in here, as well as Void, a track I played at my very first Hell’s Gate. There’s a nice flow to the set as it heads towards the newer Rebuild/TYFTH releases, and it covers the full range of those distinctive Alabaster melodies – just staying the right side of ‘too uplifting’ and often heading into properly melancholy territory.

The other day I stumbled on this YouTube upload of a classic Carbon Based live set, unaware or forgetful that it has been on the FINRG SoundCloud for the past six years. It’s a great one though, so even if old news for you it’s certainly worth a revisit.

The lack of tracklist is a shame, what with the inclusion of a couple of still-unreleased tunes, but regardless it’s nice to have the chance to enjoy a full set of Carbon Based. There are some lovely tempo switches throughout, while the final combo of Anger Ball into Psychotherapy still does the business today.

edit: Thanks to Jambato for starting us off with a tracklist in the comments – I’ll add it here in case anyone can make some additions:

01. Intro
02. CB – Fairy Play @ 2:50
03. ? @ 7:40
04. CB – Dark Side (remix?) @ 14:05
05. CB – Ultimate Protection (Intro mix?) @ 20:50
06. Proteus & Carbon Based – Heavy Fusion @ 24:23
07. CB – Ultimate Protection @ 31:06
08. ? @ 37:00
09. CB – Underworld Species @ 43:19
10. CB – Anger Ball @ 48:43
11. CB – Psychotherapy @ 54:30