It’s been great to see Lab 4 playing events once again, and this ageha booking is pretty exciting news for anyone in or near Tokyo in September. The much-missed velfarre closed before my time in Tokyo, but there should be a big crowd of nostalgic old-timers in attendance for what would be my first visit to ageha.
Events
Here’s that ‘something extra’ I mentioned last week – as the next freeform set won’t be for a while, I thought this might be better than nothing, and it’ll also give the Munted! crew the chance for a nice look back. Having said that, this was originally meant for personal listening only, as it’s so short and I’ve already used Tout est Bien and Self Extortion in goodness knows how many other sets.
The rest of the Munted! set has already been carved up for use in other online mixes, but I’ve always enjoyed this section and decided to record it for nostalgia’s sake. To improve things I probably should have started from Caballo’s breakdown – brilliant tune though it still is, it plays for a lot longer than anything else here. Anyway, in my pre-set notes (more on those another day, maybe) I’d settled on a ‘pacy, dark and melancholy’ sequence around this point, and so tried to use Human Race as the melancholy bridge between the two harder sides. After the two long breakdowns of Human Race and Self Extortion I wanted an anthem that would grab any of the crowd left behind by that atmospheric section, and thankfully the second half of Lush worked a treat. If I remember rightly, next came the psychedelic madness of Neon Circuit Boards – Gravity’s Rainbow…
Oh, it’s also worth mentioning that the TYFTH SoundCloud is alive again (this is another not-really-for-FINRG mix), which means that the previous (unmixed) tracks are downloadable. Do make sure to check them out if you haven’t already, some brilliant tunes have been in hibernation there.

Some advance warning here that Guld and I will be playing together in September, for the ever-quality Freeformaniacs show. Really looking forward to see how the tracklist turns out for this one – as always the set will be broadcast on happyhardcore.com and then downloadable later.
I had plans for something a little extra this week, as well as a tangential post and a few other bits and pieces, but I’m heading off to Taiwan tomorrow and (you guessed it) have run out of posting time. The trip’s only for a few days though, so I’ll be back with some/all of that next week.
Ah, almost forgot to mention that my non-freeform mix is coming along quite well – I’ve set a deadline of the end of this month, so let’s see what happens.
In the meantime, why not enjoy this glorious mix of C64 tracks, courtesy of Byproduct.
Fans of Finnish/Japanese sounds have ASAHI to thank for this re-recording of his CODEX set, plus one or two additions to take it up to a full hour. One addition is Glacial – great to see how well it still stands up to other tracks, but the whole set is heavy on nostalgic, emotional freeform. Quality selection from ASAHI once again, I’m already looking forward to his next effort.
Incidentally, thanks to raqhow I now have a live recording of my CODEX set, and a couple of little slips and wonky levels aside it doesn’t sound too bad. It’s definitely not FINRG SoundCloud-worthy, but I’ll be sure to either put it online somewhere next week or do a ustream replay when time allows.

A little bit late with this recommendation, but anyone who hasn’t yet checked out Proteus and Dyzphazia’s SCDH podcast should definitely do so.
Something a little bit different from your standard freeform set, Proteus’ hour in particular is another great example of how to ease casual listeners into the freeform sound. I’d usually run a mile from the initial bpm, but with Proteus at the helm you’re pretty much guranteed a DJing lesson that’s worth taking in. So it proves here, with some ‘normal club’-friendly hard trance (?) and industrial leading into the Substanced-styled finale.
Recently I’ve been ranting to anyone who’ll listen about how depressing I find the drum and bass/dubstep sounds that seem to be infesting every other freeform track these days (actually my CODEX set last weekend was an attempted reaction to that). Perfect timing from Dyzphazia then, with this heavily dnb-infused set showing how to incorporate it into a quality hour of tunes. Crucially there’s plenty more going here though, with some psy-style sounds and darker tracks holding things together – the standout is surely Guld’s upcoming Gozenzeuna. I won’t pretend to be a fan of the stuff in between the darkness, but Dyzphazia has done a great job of forging an identity for the set and I can imagine it sparking off all kinds of inspiration among other DJs.
A unique and really interesting SC then, while the next one (this weekend) features Olly Addictive and Arkitech.
Another very nice set here, courtesy of Shimotsukei on his one year anniversary. With some nice connections and a quality selection throughout, this is one for recently-neglected fans of the ‘NRG into freeform’ style set, and anyone else in the mood for some aggression and melancholy.
I’d say the first half is the real standout, plenty of great NRG tracks with a few surprises (lovely connection from Four Beast to Brionac), before some classic Nomic and Betwixt & Between freeform. A bit of confusion between Chaos Maker and Matter of Fact mars things slightly, but this a well-considered, confident mix from Shimotsukei, especially after such a relatively short time in the genre.


My first gig since the last CODEX will be…the next CODEX, with yet another fabulous lineup that really can’t be beaten. I’m honoured to announce that I’ve now joined the regular roster of DJs, so the guests this time will be Guld and Italy’s BRK.
This will be the first event for me and Guld to play together since NRGetic Romancer, while it’s going to be pretty special to join up once again with BRK – the first time since 10 Years of FINRG. There’ll be plenty of darkness from the three of us (I already have some plans, with one ‘good-enough-to-build-a-set-around-it’ connection ), but with a first CODEX set from ASAHI and a return for all the regular members, every DJ is a must-see.
Full lineup below, but don’t forget to check the Facebook page for more.
SPECIAL GUESTS
BRK (FINRG Recordings) [IT]
GULD (NRGetic Romancer)
/_/_/ DJs/_/_/
raqhow (CODEX / Freeform Bros.)
NONAKA+CHIN (Freeform Bros)
Le Dos-on (Splash Energy/Relentless)
Plasmadancer (FINRG Recordings / NRGeticromancer)
Alabaster (Cradle to Grave)
Asahi ( Karma-業- )
/_/_/ VJs /_/_/
VJ ALE (RisingGENERATION / deeepa)
Manabirds (RisingGENERATION / iNSRiRE)
/_/_/ Photo /_/_/
Mizuho
/_/_/ What is Freeform hardcore? /_/_/
初心者におすすめできるフリーフォーム
http://togetter.com/li/
Freeform Hardcoreとは
http://
/_/_/ Special Thanks /_/_/
FINRG Recordings (Fin)
https://soundcloud.com/
Freeformatted (UK)
https://soundcloud.com/
Smiling corpse (UK)
https://soundcloud.com/
Rebuild Music (UK)
http://
Guhroovy (JP)
http://www.guhroovy.com/
freeform forum.net / Freeformaniacs (Europe/Austrasia)
http://
https://soundcloud.com/
Along with Epyx & Cyrez’s retirement earlier this year, Aryx’s decision to stop freeform production has to be the biggest news of 2014 so far. While I’m sure we all wish him well as he heads off to pastures new, his absence will be another massive loss to the freeform.
Thank goodness for last year’s Munted! in London then, as I finally had the chance to play on the same lineup after out first meeting at 10 Years of FINRG. An unbiased observer* said that ours were the two best sets of the night, and it was an honour to be pushing our styles together in an unfamiliar outpost of the scene.
I say our styles – but while I’ve been neglecting production in order to diddle away the years on DJ sets, Aryx has done the hard work to go from a total rookie to one of the very finest freeform artists so far. His The End of All Things remix remains a stupendous track that transports me back to Lahti every time I hear it, but any artist would also kill to have tunes like Chaldea, Morokai, and Polaris on their CV.
Add in the fact that Aryx is one of the nicest guys you could hope to meet, and I’m sure I’m not the only one hoping that we’ll one day see him back in the scene. For now, let’s enjoy Byrgius, and look forward to his next (trance?) tracks in his new guise.
*aka my younger brother
So I didn’t abandon TYFTH for a new life as a Manila jeepney driver after all – the return from the Philippines was a few months ago, yet site issues somehow conspired against me well into March (a sad indictment of my tech knowledge, but absolutely true). Since then it’s been a case of reorganising the site while dealing with work and the general Joys of Tokyo, but now things are ship-shape enough to start posting again.
Many apologies to anyone who has been checking the site for updates, and big thanks to those who’ve enquired into what the heck’s been going on. All is now well, so let’s begin with a few important announcement posts and attempt to catch up on some of what’s happened since the start of the year.
While I’m here, it’s probably worth mentioning that I’ve been working on a new set for a couple of months. It’s non-freeform (I know, I know), and as it might still be some way off completion (and CODEX is on the horizon) I’m pondering whether to play a WIP version on Ustream one of these days. Might be a little announcement to that effect soon, even if this weekend looks to be a no-go.
